Tag Archives: Miou-Miou

Pierre Collier is dead…
He was murdered at the home of senator Henri Pagès and his wife Eliane, where he was spending the weekend with friends. His wife Claire is the number one suspect. She was arrested when found standing next to the victim’s corpse, a gun in her hand. She no doubt had reasons for seeking revenge on her fickle husband. But appearances may be misleading. The weapon is not the one used to commit the crime, and each guest becomes a potential suspect. Pierre’s mistress Esther, Léa his humiliated former girlfriend, Philippe his rival… they all have a motive. And then there’s the senator himself, who is crazy about guns. Captain Grange finds himself confronted by this complex affair – which then becomes even murkier when another murder takes place. Read More »

Synopsis:
David is an accountant. He leaves town every Friday, pretending he is going to take care of his parents at their old people’s home. But actually his parents are dead, and he spends the week-ends converting a chalet. He intends to live there with Lise, a woman he knows and loves since childhood. But Lise has just married another and has a baby. David’s mad love does not see those facts as an obstacle… Read More »

From Stephen Holden review: “La Nuit des Temps, a mildly racy nightclub in the center of the sleepy French town of Belfort, is the equivalent of Pandora’s box in Anne Fontaine’s haunting erotic fable “Dry Cleaning.” Here is where Jean-Marie Kunstler (Charles Berling) and his wife, Nicole (Miou-Miou), a proper, buttoned-up French couple who have been married for 15 years, find themselves one evening watching a slithery gold-lamé-clad brother-sister drag act called the Queens of the Night lip-synch to Sylvie Vartan records. Read More »

The third collaboration between the Swiss director Tanner and the English writer John Berger follows a group of young people in Geneva who are searching for new directions in their lives after the failure of the revolutionary hopes of the 1960s. A former labor activist takes a job as a gardener and handyman with some free-spirited farmers, setting up a school in a greenhouse for the neighborhood kids, while his wife continues to work in a factory. A disillusioned radical turns to gambling, while having interesting conversations with his girlfriend, an adventurous student of Tantrism. A history teacher uses radical methods in the classroom to foster socialist ideas in his students. He hooks up with a grocery store cashier who undercharges poor people and steals food from the store to help her aging friend, a veteran of the Resistance. Read More »

Quote:
Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeois characters value: whether it’s cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She’s on her own search for seemingly unattainable sexual pleasure. Read More »

Synopsis:
André Fragman (baptised “Fairbanks” by his cinema projectionist father) returns from his military service with a diploma in chemistry. He expects to have no trouble finding a job, since a relative of his, Etienne, has promised him a place in his company. Meanwhile, André meets and falls in love with a student actress, Marie, who is rehearsing for a stage production of Alice in Wonderland. When André’s promised job fails to materialise, he ends up having to take manual work, but he has difficulty holding down any job he can find. Frustrated, his mood changes for the worse, and he ends up driving away Marie… Read More »

Bye, See You Monday is a French Canadian relationship drama based on a novel by Roger Fournier. Miou-Miou and Carole Laure star as a pair of attractive young housemates. Both ladies are involved with married men. Both approach these delicate relationships in different fashion and both learn a little something about what happens when one plays with fire. Au Revoir a Lundi, was filmed in 1979, but withheld from general release until the 1981 Moscow Film Festival. Read More »