Rosalie has a secret—her face and body are covered in hair. She’s concealed her hirsutism all her life, shaving to be accepted in polite society. But her perspective changes when Abel, an indebted bar owner unaware of her secret, marries her for her dowry. Will Abel be able to love the real her?Read More »
Thomas lives in a military base on colony of Madagascar. His parents and their circle, gradually becomes aware of politics both territorial and sexual while finding an outlet for his imagination in the exploits of crimebuster Fantômette.Read More »
After a sexist joke goes viral, Cédric loses his job and embarks on a therapeutic journey to free himself from sexism and misogyny. He and his girlfriend hire a mysterious and liberated babysitter to help shake things up.Read More »
Follows a troupe of young students at one of France’s most prestigious performing arts academies as they navigate the ups and downs of art and love.
At the end of the 1980s, Stella, Victor, Adèle and Etienne are 20 years old. They take the entrance exam to the famous acting school created by Patrice Chéreau and Pierre Romans at the Théâtre des Amandiers in Nanterre. Launched at full speed into life, passion, and love, together they will experience the turning point of their lives, but also their first tragedy.Read More »
Following Peter Von Kant,François Ozon returns with a wild comedy lead by two rising stars of French cinema: Nadia Tereszkiewicz (who won the César for Best Newcomer for Les Amandiers) and Rebecca Marder, supported by an A-list cast of French superstars. Already praised as one of Ozon’s best films, The Crime Is Mine is a mischievous drama and detective comedy set in the 1930s, where two friends, Madeleine and Pauline take advantage of the gullibility and idiocy of all the men they meet. The Crime Is Mine is ‘ultimately about the triumph of sorority,’ according to Ozon, who was inspired by American screwball comedies from the 1930s. The absolutely hilarious film follows Madeleine Verdier, a young, pretty, penniless and untalented actress, who is accused of murdering a famous producer. With the help of her best friend Pauline, a young unemployed lawyer, Madeleine presents herself as a grieving victim who must be celebrated for her act instead. The greatest surprise is the one and only Isabelle Huppert, who appears halfway through the film.Read More »
A work that is both narrative (a man in his sleepwalking quest for Chloé) and experimental (a free form, bumpy, poetic), with the omnipresence of a strange, disturbing and playful piano for the chaotic journey of its central character which does not fail to intrigue.Read More »