Norwegian

The relationship between artist-partners Tomas and Anja is put to the test after Anja gets a life-threatening diagnosis.Read More »

Gritt left Norway with the dream of becoming an actress, but failed to find fame in Hollywood and Berlin. Back in Oslo, she manages to get an internship at an underground theatre company and secretly moves into their performance space, embarking on a mission to bury capitalism and the patriarchy.Read More »

Quote:
The entire point of Peter Watkins’s cinematic career, so he seems to indicate in his interview with himself in the liner notes for New Yorker Video’s Edvard Munch DVD, is to directly challenge the perception deadening (at best) and enslaving (at worst) effects of the hegemony of 20th-century media, the conception of which was arguably the arrival of the moving picture. Strangely enough, two of his most acclaimed films take place decades before the Edison’s kinetoscope, but Watkins seems to use the anachronism of creating a hypothetical “first-person cinema” in the B.C. years to accentuate his impassioned appeal for elevated media consciousness. His recent six-hour millennial masterwork La Commune (Paris, 1871) was blunt about it, framing a rag-tag experimental theater ensemble attempting to reenact a moment of French social resistance with televised coverage from within (two community reporters practically serving as the film’s tour guides) and without (daily reports from the State-suckling network distorting the public’s all-but-assigned opinion).Read More »

Plot summary:
The storyline centers around Sonell, a 30-something bachelor working as a translator of comics, who, when he laughs, makes a weird sound, frightening people away.
In order to deal with this he sees a psychiatrist…Read More »

Quote:
A harrowing and even ironic story of the first large, well-educated generation that was born after the war. The film tells the story of psychiatrist and Assistant Chief Athletic, and his good friend, theater director Eigil. Both are now past their youth, when they were politically active on the left. Now both are well established in powerful positions in the community. Both Athletic and Eigil have broken marriages behind them. Both have children who do not live with them. Both are struggling to keep up a facade that constantly threatens to fracture.Read More »

Synopsis:
‘The main character Dag falls in love with his young French language teacher. It becomes a complicated love story when Dag’s class mate Karin is also fancying Dag, and Dag’s best friend, Roald, is deeply in love with Karin.’
– rune-meier-1 (IMDb)Read More »

Aina wants to escape from it all, but the house of fools is not a peaceful place to be. After throwing herself through a shop window, Aina is taken in for treatment. She is forced to join therapy groups, riding lessons and cleansing conversations with those who wish to help her. Especially with Stetson, named after his own hat, who considers it honourable to bring a broken soul back to life. In the house of fools, Aina learns that sheer madness usually makes a lot of sense.Read More »

In the late 1950s and early 1960s, while French Left Bank Cinema flourished, parallel movements flowered in other countries; in Norway, the trend enabled director Erik Løchen’s career to flourish.
Løchen had made The Hunt in 1959, a fascinating, modernist work that paralleled the better-known experiments with cinematic storytelling of Resnais, Godard, Antonioni and others. Løchen returned to feature films in 1972 with an even more radical cinematic experience.
The story of a film crew trying to make a political film, Remonstrance brilliantly captures the posing and grandstanding that sometimes accompanies political discussions around correct form in art, but Løchen goes his characters one better. He designed Remonstrance so that its five reels could be shown in any order, rendering 120 possible versions of the film.
Film Society of Lincoln CenterRead More »

Quote:
An unexpected selection of Munch’s late paintings are collected for the exhibition Karl Ove Knausgårds sets up at the Munch Museum. Joachim Trier follows him on the way to the opening.Read More »