Tag Archives: Otto Preminger

Otto Preminger – Carmen Jones (1954)

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Love, passion, betrayal and tragedy. Carmen Jones is an adaptation of Bizet’s legendary opera, Carmen. It tells the story of a young, free spirited woman called Carmen Jones whose great beauty is the object of many men’s desires. However, Carmen sets her sights on young army officer Joe, who is engaged to his sweetheart, Cindy Lou. Joe quickly succumbs to Carmen’s charms , forsaking his Cindy Lou, thus beginning the tragic love story. Read More »

Otto Preminger – Exodus (1960)

Produced and directed by Otto Preminger, Exodus is a 212-minute screen adaptation of the best-selling novel by Leon Uris. The film is concerned with the emergence of Israel as an independent nation in 1947. Its first half focuses on the efforts of 611 holocaust survivors to defy the blockade of the occupying British government and sail to Palestine on the sea vessel Exodus. Paul Newman, a leader of the Hagannah (the Jewish underground), is willing to sacrifice his own life and the lives of the refugees rather than be turned back to war-ravaged Europe, but the British finally relent and allow the Exodus safe passage. Once this victory is assured, 30,000 more Jews, previously interned by the British, flood into the Holy Land. Read More »

Otto Preminger – The Cardinal (1963)

Synopsis:
Stephen Fermoyle has grown up in Boston at the turn of the twentieth century knowing that his destiny lies with the Catholic priesthood. Finally finishing his studies in Rome, he returns to America full of certitude and ambition to one day join the College of Cardinals. But his road to that office is a long one, paved with crises. In Boston, he must decide whether to save the life of his sister or her unborn child, conceived out of wedlock. In Austria, he confronts the question of whether to remain with the priesthood or abandon his oath so that he can be with the woman he loves. In Georgia, he contends with Rome’s indifference in the face of racial bigotry. And in Austria, he finds himself personally involved in the church’s dealings with the Third Reich. Read More »

Otto Preminger – Angel Face (1952)

Robert Mitchum and Jean Simmons star in this classic tale of love, money, and murder directed by Otto Preminger. This film noir centers on Diane, a femme fatale whose sweet features belie the murderess within. Diane is looking for someone to take the heat when her stepmother dies in a mysterious accident and leaves her stepdaughter a hefty inheritance. That someone is Frank – a man whose average life is thrown into chaos when he meets Diane. Read More »

Otto Preminger – Bunny Lake Is Missing (1965)

Quote:
Ann Lake has recently settled in England with her daughter, Bunny. When she goes to retrieve her daughter after the girl’s first day at school, no one has any record of Bunny having been registered. When even the police can find no trace that the girl ever existed, they wonder if the child was only a fantasy of Ann’s. When Ann’s brother backs up the police’s suspicions, she appears to be a mentally-disturbed individual. Are they right? Read More »

Otto Preminger – The Human Factor (1979)

When Arthur Davis, a junior bachelor in the British secret service’s African section, is seen taking a file with him -to meet his girlfriend Cynthia- the brass fears he may be the leak to Moskow, and allows Dr. Percival to terminate the ‘risk factor’ by poisoning to avoid a scandal. In fact Davis’s desk chief, Maurice Castle, is the double agent since the South African communists helped him smuggle out his black lover Sarah M., meanwhile his wife and mother of schoolboy Sam, to force him to cooperate with the Apartheid government. When Cornelius Muller, the South African official who failed to get him in Pretoria’s power, visits London for the anti-communist operation Uncle Remus, he points out Castle still is the natural suspect… Read More »

Otto Preminger – Rosebud (1975)

Quote:
Otto Preminger was not spared the brunt of bad reviews and publicity towards the end of his career. At times, the critics were quite savage in their analysis of his latter films. In my opinion, this was a time where he shined the most, and was in top form. He tackled new ground and continued to break taboo without audiences knowing. From TELL ME THAT YOU LOVE ME JUNIE MOON to SUCH GOOD FRIENDS to ROSEBUD and finally to THE HUMAN FACTOR, this was another renaissance for Preminger. Agreed, ROSEBUD was not a masterpiece. Elements such as Cliff Gorman’s atrocious acting, loose ends and implausibility hold it back from reaching its ultimate goal, but it was not the turkey that Leonard Maltin (et al.) made it out to be. Read More »