A late entry from Frank Borzage and hs first “prestige” picture in years, after being cut loose from the Majors during his personal heyday of the 1920s and 30s.
This was Republic’s first Technicolor feature (and Borzage’s second). The color palette Republic concocted for the film is bizarre to say the least – dominant are pinks, purples, wedgewood blues, mauve, taupe, lilac, with highlights of orange aqua and apricot. The general tone of hyperreality is enhanced further with set design that extends to underfurnished rooms, and cavernous spaces and headroom, like the concert hall wiith virtually surreal intrusions of doric columns and poritcos as decorative objects.Read More »