Pierre Brasseur

  • Jean-Paul Rappeneau – La vie de château AKA A Matter of Resistance (1966)

    1961-1970ComedyFranceJean-Paul RappeneauRomance

    In the countryside near Normandy’s beaches lives Marie, unhappy. It’s 1944, she’s married to Jérôme, a somewhat fussy milquetoast, diffident to the war around him and unwilling to move his wife to Paris, where she longs to live, shop, and party. A German outfit is bivouacked at Jérôme and Marie’s crumbling château because its commanding officer is pursuing Marie. She’s also eyed by a French spy working with the Allies as they plan D-Day. He woos her (posing to the Germans as her brother) and, in his passion, forgets his mission. Heroics come from an unexpected direction, and Marie makes her choice.Read More »

  • André Barsacq – Le rideau rouge AKA Crimson Curtain (1952)

    1951-1960André BarsacqCrimeDramaFrance

    Quote:
    Playwright Jean Anouilh was the guiding force behind the unorthodox murder mystery. During a provincial theatre production of Macbeth, several tragedies occur. The actors attribute these calamities to the “curse” supposedly hanging over the Shakespeare play, but police inspector Jean Brochard doesn’t buy this…Read More »

  • Anatole Litvak – La chanson d’une nuit (1933)

    1931-1940Anatole LitvakComedyGermanyMusical

    Opera singer Enrico Ferraro, tired of his too many engagements, jumps off the train escaping from his manager and changes to another going to the Riviera. He makes a friend and stops at a village, where (it seems) he can at last have some well deserved holidays, with the added interest of meeting a beautiful girl in the surroundings.Read More »

  • Marcel Carné – Les enfants du paradis aka Children Of Paradise [+Commentary] (1945)

    1941-1950ClassicsDramaFranceMarcel Carné

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    Synopsis
    ©Hal Erickson
    Even in 1945, Marcel Carné’s Children of Paradise was regarded as an old-fashioned film. Set in the Parisian theatrical world of the 1840s, Jacques Prévert’s screenplay concerns four men in love with the mysterious Garance (Arletty). Each loves Garance in his own fashion, but only the intentions of sensitive mime-actor Deburau (Jean-Louis Barrault) are entirely honorable; as a result, it is he who suffers most, hurdling one obstacle after another in pursuit of an evidently unattainable goal. In the stylized fashion of 19th-century French drama, many grand passions are spent during the film’s totally absorbing 195 minutes. Amazingly, the film was produced over a two-year period in virtual secrecy, without the knowledge of the Nazis then occupying France, who would surely have arrested several of the cast and production staff members (including Prévert) for their activities in the Resistance. Children of Paradise has gone on to become one of the great romantic classics of international cinema.Read More »

  • Romain Gary – Les oiseaux vont mourir au Pérou AKA Birds in Perù (1968)

    1961-1970DramaFranceRomain Gary

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    SPOILER
    From American Film Institute Catalog 1961-1970: “In the early morning hours after a Peruvian carnival, a young woman named Adriana lies naked and exhausted on a lonely stretch of beach, the final resting place for dying gulls from the nearby Guano Islands. The night before, Adriana left her sadomasochistic millionaire husband and came to the beach with four costumed revelers with whom she hoped to find sexual fulfillment. Tormented by nymphomania, and knowing that her husband and his chauffeur-bodyguard will soon come for her, Adriana dresses herself and wanders into a beachside brothel owned by Madame Fernande. At first Adriana gives herself to the madame and offers to work for her as a prostitute but then changes her mind and returns to the beach. Remembering her agreement that the chauffeur could kill her if she ever succumbed again to her sickness, she attempts to drown herself, but she is rescued by Rainier, a poet and self-confessed failure, who runs a beach cafe that no one frequents. While they make love, Rainier implies that they could be each other’s salvation. His suggestions are interrupted, however, by the arrival of the chauffeur and the whisky-sodden husband, who have come to carry out the agreed-upon ritualized execution. Rainier intervenes and is knocked unconscious; a young Indian boy called Alejo, who has been following Adriana, leaps out from a hiding place and plunges a knife into the chauffeur. Ignoring the others, Adriana wanders off alone as her husband picks up the dead chauffeur’s cap and hands it to Rainier, who accepts it. As the two men set off after Adriana, the young boy races headlong into the sea”SPOILERRead More »

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