Pierre Renoir

Inspector Maigret investigates the mysterious murder of a Dutch diamond dealer, found dead in a stolen car. The car belongs to an insurance agent, Michonnet, and has been abandoned in the garage belonging to Carl Andersen.Read More »

When 11 young Parisian women mysteriously disappear, the police recruit Adrienne Charpentier, the friend of the latest victim, to investigate. The only thing which seems to link the disappearances is that each of the victims replied to a small ad in the newspapers. In answering a number of ads herself, Adrienne meets some suspicious individuals, but they all turn out to be innocent. Then she meets a cabaret performer, Robert Fleury, who instantly falls in love with her. Soon after marrying Fleury, she discovers damning evidence that inculpates him as the murderer of the missing women…Read More »

A film about the early part of the French Revolution, shown from the eyes of the citizens of Marseille, counts in German exile and, of course, the king Louis XVI, each showing their own small problems.Read More »

Saint-Maurice, an ordinary peaceful village, lived healthily so much so that the local doctor’s practice was scant. But that was before Dr. Parpalaid retired and was replaced by a charlatan by the name of Knock. A real genius this one, for he soon managed to persuade everyone that they were ill. And not only didn’t they resent him but they even loved their physician, who made a fortune and brought prosperity to the village by turning it into a big hospital.Read More »

Plot (from Allmovie):
La Nuit du Carrefour (A Night at the Crossroads) may well be the least known of Jean Renoir’s sound films. Adapted from a novel by Georges Simenon, the story concentrates on a gang of thieves who utilize a cross-road garage as the hideaway. During their last caper, the gang has accidentally murdered a jewel thief, and the heat is on. Winna Winifred, the beautiful ringleader of the gang, makes the fatal mistake of falling in love with Pierre Renoir (the director’s brother), the detective who’s been assigned to bring her in. The only one of Renoir’s productions to thoroughly qualify as a “crime picture,” La Nuit du Carrefour was often dismissed by the director, who felt that he was so successful in creating a “mysterious atmosphere” that no one understood what was going on (He did, however, enjoy working with Georges Simenon, who became a lifelong friend).-Read More »