Kaspar Len returns home after three years in the army. He vainly searches for the mason Kryštof’s family where he had lived before he left. All he finds out is that Kryštof’s daughter Márynka, who was in his thoughts all those years, is now working in the local brothel. He goes to visit her and Márynka tells him of the misfortunes which befell her family. Her father lost his job and hunger forced him to steal some food from the merchant Konopík. Konopík caught him red-handed and threatened him with the police. He finally raped Márynka. Kryštof went mad and drowned himself in despair. Márynka grew up in a reformatory and then found herself in the brothel where she had to work to pay off her debts. Len decides to avenge Kryštof’s family…Read More »
Radoslav Brzobohatý
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Karel Steklý – Mstitel AKA The Avenger (1960)
Karel Steklý1951-1960Czech RepublicDrama -
Vojtech Jasný – Vsichni dobrí rodáci AKA All My Good Countrymen (1969)
1961-1970Czech RepublicDramaPoliticsVojtech JasnýThe 1968 Czechoslovakian film All My Good Countrymen (Všichni dobrí rodáci) is a tremendous piece of cinema. It’s the kind of picture one watches on several occasions across a lifetime, both to better understand what it has to say and also to feel more attuned to the culture and history it represents. The film feels epic in scope, despite coming in at under two hours in length, and this is largely because of its focus on a single setting across a dozen or so years, with numerous wonderful and ugly things happening in the interim. Director Vojtech Jasný also wrote it, putting in a decade’s worth of work to make what would become his signature film. It would be the last feature he’d get to direct in his home country for decades, as Jasný was effectively banned from filmmaking as a result.Read More »
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Karel Kachyna – Ucho AKA The Ear (1970)
1961-1970Czech RepublicDramaKarel KachynaThrillerQuote:
Karel Kachyna’s 1970 The Ear is a harrowing tale that interweaves marital discord and surveillance paranoia. With its portrait of a government functionary who spends a sleepless night wondering if he’ll be arrested before daybreak, it’s no wonder that The Ear had to wait until 1989 for its Czech premiere; the wonder is that it was made at all. The latter, at least, can be explained by the fact that Kachyna’s long-time collaborator, scenarist Jan Procházka, was a government official of some standing – which accounts, no doubt, for The Ear’s insider perspective, playing as it does with the couple’s knowledge of which rooms in their comfortable house are likely bugged and which aren’t.Read More »