Spain 1650.
A noble knight is involved, in spite of himself, in a conspiracy against King Philip IV, hatched by the French ambassador and by the treacherous prime minister.
Thanks to his courage and to the extreme skill as a swordsman, through a series of incredible adventures, the knight is able to get rid of all intrigue, to reveal the plot to the sovereign, to get the love of a beautiful woman, formerly his enemy, and, making himself believe dead after a mock execution, to take revenge of his enemies.Read More »
Riccardo Freda
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Riccardo Freda – Don Cesare di Bazan (1942)
1941-1950AdventureDramaItalyRiccardo Freda -
Riccardo Freda – Caccia all’uomo AKA Les Misérables (1948)
1941-1950ClassicsDramaItalyRiccardo FredaJean Valjean, pursued through the years for a minor infraction by the implacable policeman Javert, attempts to create a life for himself and for his adopted daughter Cosette amid the revolutionary struggles of France.
The film, based on the novel by Victor Hugo, was released divided into two episodes: the first was titled Caccia all’uomo, the second, Tempesta su Parigi.Read More »
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Riccardo Freda – Beatrice Cenci AKA Castle of the Banned Lovers (1956)
1951-1960ClassicsDramaItalyRiccardo FredaThe beautiful Beatrice Cenci, daughter of the noble Francesco, falls in love with the intendant Olimpio. But she has to face the jealousy of her violent and morbid father, and the hostility of her stepmother Lucrezia.Read More »
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Riccardo Freda – Les deux orphelines AKA The Two Orphans (1965)
1961-1970AdventureDramaFranceRiccardo FredaTwo orphaned sisters are caught up in the turmoil of the French Revolution, encountering misery and love along the way.Read More »
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Riccardo Freda – Aquila Nera (1946)
1941-1950ActionDramaItalyRiccardo FredaFourth film by Freda, “Aquila Nera” is a “cappa e spada” adventure set in 19th century Russia (Pushkin’s tale is the source material): Tzar’s Army Officer Dubrowskij becomes an outlaw to avenge his father’s death and leads a pesant’s revolt against a greedy nobleman.Read More »
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Riccardo Freda – Maciste alla corte del Gran Khan AKA Samson and the Seven Miracles of the World (1961)
1961-1970AdventureEpicItalyRiccardo FredaThe Emperor of China, facing harsh attacks from the Tartars, enlists the help of the Grand Khan of the Mongols. But he betrays the Emperor and intend to despatch this usurper of the Celestial Empire. In truth, the Grand Khan need only kill the rightful heirs to the throne, Prince Kalaf and Princess Li-Ling to definitely insure power for himself. But with the arrival of the hero Maciste, the tyrant is forced to change his plans.Read More »
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Riccardo Freda – L’iguana dalla lingua di fuoco AKA The Iguana with the Tongue of Fire (1971)
1971-1980GialloItalyRiccardo FredaThrillerSynopsis:
In Dublin, a young woman is brutally murdered in her home by a maniac that throws acid in her face and then slits her throat with a razor. Her mangled body is later discovered in the boot of a limousine owned by the Swiss Ambassador Sobiesky. The Ambassador, who was the dead woman’s lover, refuses to cooperate with the police due to his diplomatic immunity. John Norton, an ex-cop famed for his brutal working methods, is brought in to help and gets too deeply involved when he stars an affair with the Ambassador’s beautiful step-daughter, Helen. Meanwhile, the brutal killings continue…Read More » -
Riccardo Freda – Il magnifico avventuriero AKA The Magnificent Adventurer (1963)
1961-1970AdventureItalyRiccardo FredaPLOT & Review:
Benvenuto Cellini (1500-71) knows no obstacles (or scruples) when he has to create a work of art or win the heart (and the rest) of a woman.
R. Freda does a genuinely popular cinema, practicing many genres, from drama to horror. Faced with a film of adventure, as here, he can be concise and engaging.
(Morandini)Read More » -
Riccardo Freda – Il cavaliere misterioso AKA The Mysterious Rider (1948)
1941-1950ActionAdventureItalyRiccardo FredaQuote:
However trivial – or downright ridiculous – the plot may become, Freda shows a mastery of sheer cinematic style that puts most of the more highly-touted Italian directors to shame. Like Minnelli or Sirk, Mizoguchi or Ophuls, Visconti or Fellini, he is in love with the visual and sensuous possibilities of the camera itself. The breathtaking decor and costumes (by Vittorio Nino Novarese, who went on to dress the most elephantine of Hollywood epics) are as strong a dramatic presence as the actors themselves. That’s no slight against the cast: Gassman was as great an actor as Marcello Mastroianni; Sanson and Canale are as strong as they are sensual, as gutsy as they are glamorous – a world away from the insipid sex objects that decorate most action movies!Read More »