Richard Quine

  • Richard Quine – How to Murder Your Wife (1965)

    Richard Quine1961-1970ComedyUSA
    How to Murder Your Wife (1965)
    How to Murder Your Wife (1965)

    Jack Lemmon is a happily unmarried man with all the creature comforts one could desire including a wonderful butler who takes care of all his material needs. At a bachelor party for a friend, Lemmon gets drunk and wakes up married to an Italian woman who speaks nearly no English. It totally alters his life. He even changes the cartoon he writes and shifts it from a secret agent to a household comedy. When he begins to have trouble with all of these changes he starts to plot that at least his secret agent cartoon will return to order and plans, in his daily comic strip, killing his wife. When she disappears, the cartoons are used as evidence at his trial.Read More »

  • Richard Quine – The World of Suzie Wong (1960)

    1951-1960ClassicsRichard QuineRomanceUSA

    “You are the first man I ever loved… and the world has only just begun…”
    American William Holden, as former architect turned struggling artist, Robert Lomax, a cynic who’s “pushing forty,” arrives in 1960 Hong Kong to make a valiant effort for his art. He’s never been there and has no idea what to expect. On the ferry boat to Kowloon, he has a sort of altercation with the very young & attractive Nancy Kwan, who claims to be named “Mei Li,” a very proper young lady about to enter into an arranged marriage set up by her wealthy father. Shortly before reluctantly introducing herself, she also almost manages to have Robert arrested by claiming he’s a purse snatcher, which, judging from her mirthful expression, she does for the sheer entertainment value of the situation.Read More »

  • Richard Quine – Drive a Crooked Road (1954)

    1951-1960CrimeFilm NoirRichard QuineUSA

    Music Box Theatre writes:
    Before becoming famous for creating PETER GUNN and the PINK PANTHER movies, Blake Edwards scripted this extraordinary, if virtually unknown, ’50s film noir, which casts a fully-grown Mickey Rooney against type as a lovelorn mechanic whose craving for fast cars and a faster woman (the alluring Dianne Foster) drives him to sign on as wheelman in a bank robbery. In what may be his finest performance, Rooney delivers a compelling characterization of the “Little Freak,” whose desire for a duplicitous woman leads to an unforgettable conclusion. One of finest noir films of the fifties.Read More »

  • Richard Quine – Full of Life (1956)

    1951-1960ComedyDramaRichard QuineUSA

    Museum of Modern Art writes:
    In a gender twist on the “meddling mother-in-law,” Nick Rocco’s old-world father, Vittorio Rocco (Salvatore Baccaloni), can’t help insinuating himself into his son and daughter-in-law’s lives. Nick and Emily are just a few days away from the birth of their first child and Vittorio—a skilled handyman—is called in to help with repairs in their new home. Nick is reluctant to rely upon his meddling dad, but the repairs have to be made before the baby comes home. Baccaloni was an opera singer and member of the La Scala Opera in Milan.Read More »

  • Richard Quine – Bell Book and Candle (1958)

    1951-1960ComedyRichard QuineRomanceUSA


    A Witch in Love; ‘Bell, Book and Candle’ at Fine Arts, Odeon

    THE magic in “Bell, Book and Candle,” which opened at the Fine Arts and Odeon Theatres on Christmas, is not so much black as chromatic. It’s the color that’s bewitching in this film.

    Actually, its story of a young lady who possesses some supernatural power, which she uses to inveigle a gentleman into falling in love with her, is neither as novel nor engaging as you might expect it to be. Pretty young ladies in movies are bewitching gaga fellows all the time with enticements and devices that are magic, so fas as the audience can tell. So the gimmick of John van Druten’s stage play, which has been used as the basis for this film — the gimmick of a woman endowed with witchcraft—is really rather silly and banal.Read More »

  • Richard Quine – Sex and the Single Girl (1964)

    1961-1970ClassicsComedyRichard QuineUSA


    Natalie Wood was never more beautiful, and the battle of the sexes was never more fun. It’s great to see a love story that doesn’t resort to foul language or adult humor, but simply witty dialog and the vagaries of human nature.
    Tony Curtis plays a tabloid reporter trying to get the goods on Helen Gurley Brown (Natalie) and her personal life to find out if she actually knows anything about sex and relationships. To this end, he impersonates an acquaintance (Henry Fonda) who is having problems with his jealous wife (Lauren Bacall) so that he can pose as a patient and seek her advice.
    The confusion caused by this impersonation just leads to more problems, naturally. However, this is just a sideshow to the reporter’s attempted seduction of Dr. Brown and the glorious mayhem that ensues.Read More »

Back to top button