Eccentric comedian Andy Kaufman in one of his brightest moments–performing live at Carnegie Hall. The wild eyed “confrontainer” performs some of his best-known acts; Foreign Man, Elvis, Tony Clifton, the wrestler, and then finishes with what is arguably the sweetest ending in showbiz! Includes a cameo by Robin Williams.
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Robin Williams
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Julian Goldberg – Andy Kaufman Plays Carnegie Hall (1980)
1971-1980ComedyDocumentaryJulian GoldbergUSA -
Bill Forsyth – Being Human (1994)
Bill Forsyth1991-2000ComedyFantasyUnited KingdomThe film portrays the experience of a single human soul, portrayed by Williams, through various incarnations. Williams is the only common actor throughout the stories that span man’s history on Earth.[2]
An attempt on director-screenwriter Bill Forsyth’s part to depict by visual means the ordinariness of life throughout the ages, Being Human is deliberately slow in its pace in order to emphasize how slow life often is. The structure is one of vignette-like character studies of one man (actually at least four distinct men, all with the same soul) who keeps making the same relationships and mistakes throughout his lifetimes.Read More »
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Paul Mazursky – Moscow on the Hudson (1984)
Paul Mazursky1981-1990ComedyUSAQuote:
When a Russian musician defects in Bloomingdale’s department store in New York, he finds adjusting to American life more difficult than he imagined.Read More » -
Terry Gilliam – The Fisher King (1991)
1991-2000ComedyDramaTerry GilliamUSAQuote:
A fairy tale grounded in poignant reality, the magnificent, Manhattan-set The Fisher King, by Terry Gilliam, features Jeff Bridges and Robin Williams in two of their most brilliant roles. Bridges plays a former radio shock jock reconstructing his life after a scandal, and Williams is a homeless man on a quest for the Holy Grail—which he believes to be hidden somewhere on the Upper East Side. Unknowingly linked by their pasts, the two men aid each other on a fanciful journey to discovering their own humanity. This singular American odyssey features a witty script by Richard LaGravenese, evocative cinematography by Roger Pratt, and superb supporting performances by Amanda Plummer and an Oscar-winning Mercedes Ruehl, all harnessed by Gilliam into a compassionate, funny modern-day myth.Read More »