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La Ricotta (starring Orson Welles) represents a key moment in Pasolini’s career. This complex work marks a stylistic advance over his earlier films and with it, Pasolini comes of age as a man of the cinema. Although La Ricotta is an outcry against the betrayal of religion, it was perceived as blasphemous by the right-wing homophobic political enemies of Pasolini. He was put on trial and charged with “insulting the religion of the state,” a Fascist law that was still on the books. Pasolini was sentenced to four months in prison, eventually amnestied, and all of RoGoPaG was banned. La Ricotta is a dazzling amalgam of trenchant social satire, neo-realism, pathos, and burlesque comedy by the man Susan Sontag has called “indisputably the most remarkable figure to have emerged in Italian arts and letters since the Second World War.” Read More »