Sener Sen

Plot
20 years old Casanova Jan falls in love with the 3 years younger Turkish girl Yasemin, who lives in Germany with her family. She’s well protected by her father, who believes in the Turkish traditions. She has to struggle for every little freedom that’s certain for her German friends, but still respects and loves her father and keeps the appearance of an honorable Turkish girl. Her love to Jan however disturbs this fine balance. So it’s not hate or quarrel that interferes with their love, but the differences of their cultures.Read More »

Quote:
“The 1989 Turkish frivolity Arabesk should not be confused with Arabesque, a 1966 American spy thriller. The later film stars two of Turkey’s favorite screen personalities, glamorous leading lady Mujde Ar and funnyman Sener Sen. The two fall in love, much to the dismay of their respective families. The couple’s attempts at finding true happiness is good for several hilarious and touching moments. Arabesk was a huge hit in its country of origin, just as it was intended to be.”Read More »

Quote:
Hasmet, director of love stories, wants to make a film with a “social content”. He makes a deal with the producer Abdulkadir, yet the actress Mujde Ar doesn’t accept the leading role, as Hasmet expected. Hasmet gives the role to Jeyan. He starts to shoot with a very limited budget. In the meantime the producer Abdulkadir cheats everyone and runs away. Jeyan fancies Tarcan, who is the leading actor, but Hasmet himself is interested in Jeyan. He first fires both of the out of jealousy, but rehires them out of necessity. With great difficulties, he finally finishes the film. However, nobody appears in the gala and the crew does not like the movie at all. Hasmet feels suicidal, but a phone call brings him back to life: a producer wants him to make a romantic movie – just what he is the master of!Read More »

The lives of three police are turned upside-down during a murder investigation.Read More »

Muhsin Bey is frequently quoted as being a turning point in Turkish cinema. With some notable exceptions, much of Turkey’s movie production up to Muhsin Bey consisted of cheap tear-jerkers, juvenile comedy and remakes of popular foreign movies. While many of these movies still have appeal for Turkish audiences today, it is mainly for nostalgic reasons. Muhsin Bey, in contrast, is an original movie with both comedic and dramatic elements, dealing with social change in a way that is both universal and specific to Turkey.Read More »

Quote:
It would be unfair to call Sinan Çetin just a filmmaker, despite the broadness of the term. He has remained a hovering presence over Turkey’s pop culture for two decades whether he makes movies or, as is generally the case, does not. Çetin is a persona who is much larger than the sum of his parts.

It’s a rule of thumb that nearly all popular figures generate their unique brand of devoted fans and followers, along with haters of a similar fervor. With Çetin, the number of fans and followers has diminished and are arrayed against an impressive number of detractors that include other filmmakers, movie critics and viewers.

The director, however, has chosen to show the finger to anyone who deigns to tarnish his work and his persona and has managed to maintain his position in Turkey’s culture scene and his currency among the artistic elite.Read More »

In the last years of the Ottoman Empire, a poor little Anatolian town named Saripinar is hit by a minor earthquake which has neither destroyed nor left it with many casualties. However, a telegraph sent to the central government exaggerates the situation and mentions that the governor of the town has been severely wounded, making the event a nationwide matter. Written by baddahRead More »