Sissy Spacek

A woman is determined to reveal the truth about an insidious political corruption. In doing so she risks her safety, career and reputation but will not stop asking questions until the truth is known.Read More »

Carrie White, a shy, friendless teenage girl who is sheltered by her domineering, religious mother, unleashes her telekinetic powers after being humiliated by her classmates at her senior prom.Read More »

A harrowing look at the 1960s and early 1970s through the eyes of Katherine Alman, a wealthy debutante who slowly, but inexorably spirals down into a fight for the causes that shook a nation, leading a path to the underground life.Read More »

Quote:
Costa-Gavras’s tense political drama opens in an unspecified South American country (though clearly intended to be Chile) in the throes of a military coup. American activist Charles Horman (John Shea), who has been a thorn in the side of the country’s military ever since his arrival, suddenly disappears. In trying to find out what has happened, his wife Beth (Sissy Spacek) is stonewalled, not only by the ruling junta but by the American consulate. His father, staunchly patriotic Ed Horman (Jack Lemmon), joins Beth in her search. Ed and his daughter-in-law have never seen eye to eye politically, and he refuses to entertain the notion that his son’s disappearance might be part of a larger conspiracy or cover-up. Read More »

Quote:
An impressionable teenage girl from a dead-end town and her older greaser boyfriend embark on a killing spree in the South Dakota badlands.

Roger Ebert, in 1973, wrote:
They meet for the first time when she is in her front yard practicing baton-twirling. He has just walked off his job on a garbage truck. She thinks he is the handsomest man she’s ever seen — he looks just like James Dean. He likes her because he never knew a fifteen-year-old who knew so much: “She could talk like a grown-up woman, without a lot of giggles.” Within a few weeks, they will be the targets of a manhunt after he has shot down half a dozen victims.Read More »

David Kehr, Chicago Reader wrote:
Robert Altman’s would-be American art film (1977) is murky, snide, and sloppy, but the director’s off the hook because he dreamed it all. Sissy Spacek and Shelley Duvall are two Texas girls who meet while working in a California sanatorium (courtesy of 81/2) and exchange identities while Altman struggles with feminism and the American dream. As usual, the director plainly despises his characters but offers no alternative to their pettiness, although his sneaky jokes at their expense give the film its only glimmer of style.Read More »

Alvin Straight is a very old man with a quiet life in a small country town. When his brother gets seriously sick, he decides to put away their differences and visit him after many, many years. So, alone, he begins a long journey through hundreds of miles, just to see again his brother, even if it’s the last thing he will ever do… Based on a true story.Read More »