Toshirô Mifune

  • Hiroshi Inagaki – Yagyu bugeicho AKA Yagyu Secret Scrolls, Part I (1957)

    1951-1960ActionAdventureHiroshi InagakiJapan

    Quote:
    In the Tokugawa Era, the clan of Lord Yagyu has hidden away three scrolls containing clan secrets which, if revealed, would cause revolution and disaster for the clan. The information is divided among the three scrolls, all of which must be possessed for the secrets to be understood. When Princess Yuhime steals the scrolls, Tasaburo, a samurai with magical powers, and his brother Senshiro are sent to retrieve them.Read More »

  • Akira Kurosawa – Shûbun AKA Scandal (1950)

    1941-1950Akira KurosawaCrimeDramaJapan

    A handsome, suave Toshiro Mifune lights up the screen as painter Ichiro, whose circumstantial meeting with a famous singer (Yoshiko Yamaguchi) is twisted by the tabloid press into a torrid affair. Ichiro files a lawsuit against the seedy gossip magazine, but his lawyer, Hiruta (Kurosawa stalwart Takashi Shimura), is playing both sides. A portrait of cultural moral decline, Scandal is also a compelling courtroom drama and a moving tale of human redemption.Read More »

  • Akira Kurosawa – Hakuchi AKA The Idiot (1951)

    1951-1960Akira KurosawaArthouseDramaJapan

    After finishing what would become his international phenomenon Rashomon, Akira Kurosawa immediately turned to one of the most daring, and problem-plagued, productions of his career. The Idiot, an adaptation of Fyodor Dostoyevsky’s nineteenth-century masterpiece about a wayward, pure soul’s reintegration into society—updated by Kurosawa to capture Japan’s postwar aimlessness—was a victim of studio interference and, finally, public indifference. Today, this “folly” looks ever more fascinating, a stylish, otherworldly evocation of one man’s wintry mindscape.Read More »

  • Akira Kurosawa – Rashômon (1950)

    1941-1950Akira KurosawaClassicsDramaJapan

    Quote:
    This landmark film is a brilliant exploration of truth and human weakness. It opens with a priest, a woodcutter, and a peasant taking refuge from a downpour beneath a ruined gate in 12th-century Japan. The priest and the woodcutter, each looking stricken, discuss the trial of a notorious bandit for rape and murder. As the retelling of the trial unfolds, the participants in the crime — the bandit (Toshiro Mifune), the rape victim (Machiko Kyo), and the murdered man (Masayuki Mori) — tell their plausible though completely incompatible versions of the story.Read More »

  • Jerry London – Shogun (1980)

    1971-1980AdventureDramaJerry LondonUSA

    Shōgun is an American television miniseries based on the 1975 novel of the same name by James Clavell, who also was the executive producer of the miniseries. It was first broadcast in the United States on NBC over five nights between September 15 and September 19, 1980. To date, it is the only American television production to be filmed on location entirely in Japan, with additional sound stage filming also taking place in Japan at the Toho studio.Read More »

  • Hiroshi Inagaki – Muhomatsu no issho AKA The Rickshaw Man (1958)

    Hiroshi Inagaki1951-1960ClassicsDramaJapan

    In the turn of the Twentieth Century, the rickshaw driver Matsugoro “Matsu” is a happy man and a troublemaker well-known by everyone in his village. One day, Matsu sees an injured boy, Toshio, and brings him home. His mother Yoshiko Yoshioka asks Matsuo to take the boy to the doctor and then her husband Capt. Kotaro Yoshioka asks her to reward Matsu. However the rickshaw man refuses the money and becomes a friend of the family. When Kotaro unexpectedly dies, Matsuo helps Yoshiko to raise her son. Soon he falls in love with her, but he does not dare to open his heart to Yoshiko since they belong to different social classes.Read More »

  • Hiroshi Inagaki – Zoku Miyamoto Musashi: Ichijôji no kettô AKA Samurai II: Duel at Ichijoji Temple (1955)

    1951-1960ActionHiroshi InagakiJapanMartial Arts

    Synopsis:
    Hiroshi Inagaki’s acclaimed Samurai Trilogy is based on the novel that has been called Japan’s Gone with the Wind. This sweeping saga of the legendary seventeenth-century samurai Musashi Miyamoto (powerfully portrayed by Toshiro Mifune) plays out against the turmoil of a devastating civil war. The Trilogy (whose first part won an Academy Award) follows Musashi’s odyssey from unruly youth to enlightened warrior. In the second and most violent installment, Duel at Ichijoji Temple, Musashi beats a samurai armed with a chain and sickle and is later set upon by eighty samurai disciples—orchestrated by the sinister Kojiro—while the two women who love him watch helplessly.Read More »

  • Hiroshi Inagaki – Miyamoto Musashi kanketsuhen: kettô Ganryûjima AKA Samurai III: Duel at Ganryu Island (1956)

    Hiroshi Inagaki1951-1960ActionJapanMartial Arts

    Synopsis:
    Hiroshi Inagaki’s acclaimed Samurai Trilogy is based on the novel that has been called Japan’s Gone with the Wind. This sweeping saga of the legendary seventeenth-century samurai Musashi Miyamoto (powerfully portrayed by Toshiro Mifune) plays out against the turmoil of a devastating civil war. The Trilogy (whose first part won an Academy Award) follows Musashi’s odyssey from unruly youth to enlightened warrior. In the third installment, Duel at Ganryu Island, Musashi reunites tragically with the women who love him, and battles for samurai supremacy in a climactic confrontation with his lifelong nemesis.Read More »

  • Akira Kurosawa – Kumonosu-jô AKA Throne of Blood (1957)

    Akira Kurosawa1951-1960DramaEpicJapan

    A vivid, visceral Macbeth adaptation, Throne of Blood, directed by Akira Kurosawa, sets Shakespeare’s definitive tale of ambition and duplicity in a ghostly, fog-enshrouded landscape in feudal Japan. As a hardened warrior who rises savagely to power, Toshiro Mifune gives a remarkable, animalistic performance, as does Isuzu Yamada as his ruthless wife. Throne of Blood fuses classical Western tragedy with formal elements taken from Noh theater to create an unforgettable cinematic experience.Read More »

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