Tag Archives: Ukrainian

Oksana Kazmina – The Secret, the Girl and the Boy (2018)

The Girl and the Boy play in a garden. They are left alone there and they do not have any obligations to behave in a certain way. This gives them the freedom to create their own ways of interaction with the world. During such an interaction, adult social constructs inter-twist into weird children folklore and shift into an abstract sphere. There are secrets and various modes of being in the world of the Girl and the Boy.
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Aleksey Solodunov & Dmitry Stoykov & Oleksandr Techynskyi – All Things Ablaze (2014)

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What does the violent heart of revolution feel like? A visceral documentary from Maidan square in the violent Ukrainian winter of 2013-14. Read More »

Roman Bordun – The Diviners (2019)

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The main characters of the film are the inhabitants of the contemporary Ukrainian cities of Kyiv, Odesa, and Lviv. Their reality is multi-layered, unvarnished, deprived of unambiguous interpretations of good and evil, humanity and cruelty, charity and indifference. This story is a kaleidoscope, which features all of us: the righteous, the merciless, the funny, the naïve. The honest. Read More »

Dmytro Moyseyev – Taki krasyvi lyudy AKA Such Beautiful People (2013)

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This gorgeous movie—artfully composed in a muted sandy palette with exquisite attention to visual detail—takes place on the shores of the Black Sea in Crimea, where a group of neighbors seek tranquility and fulfillment fishing and striving to live lives of meaning, outside the bustle and cynicism of city life. This is a film about universal themes of human interaction and love and explores the full range of human desires and relationships. Such Beautiful People is a gentle story of gentle people striving to make their lives better, to find true happiness, and to better understand one another. (via cinema.indiana.edu) Read More »

Yuri Gruzinov & Yaroslav Pilunskiy & Yuliya Shashkova – The First Company (2018)

The Ukrainian Revolution (2013-2014) and the war with Russia in the Donbas are nearing. The film deals with the history of the First Company of the Maidan, which defeated the enemy within and advanced to the frontlines to fight the external enemy. Immersion in the epicentre of events, a frank artistic and civilian view of human relationships against the background of violent social upheaval. Immutable human stories, the collision of charismatic characters, challenges and solutions on the verge of life and death, the search for interaction, the first steps towards the formation of civil society… All of this is summed up by an understanding of the way already travelled and an optimistic view of Ukraine’s future. Read More »

Oksana Karpovych – Ne khvylyuysya, dveri vidchynyatsya AKA Don’t Worry the Doors Will Open (2019)

For her first feature, Oksana Karpovych adopts a prolific documentary sub-genre, the train film, to take the pulse of Ukraine, her native country.

Shot over summer and winter seasons on the elektrychka, a typical Soviet commuter train that travels between Kyiv and several small provincial towns, Don’t Worry, The Doors Will Open invites us to share a ride with working-class, mostly marginalised passengers and vendors. Following a number of people and families from one grimy wagon to another, from station to station, we are immersed in their everyday struggles and learn about the dilemmas of building a new post-revolutionary identity. Don’t Worry, The Doors Will Open is an atmospheric and intensely human vérité portrait of Ukrainian society on the move. Read More »

Kateryna Gornostai – Stop-Zemlia (2021)

Synopsis:
It‘s Masha, Yana and Senia‘s last but one year of high school. Among the thriving pot plants in the classroom and to the sound effects of a Biology lesson about physical signs of stress, the young protagonists grapple with themselves and with one another. 16-year-old Masha is the quiet center of Kateryna Gornostai’s feature debut. Steering clear of both simplified narratives and overly simplistic psychology, the film depicts her as introverted, sensitive and in love with Sasha, another classmate whose aloofness and passivity she finds a perpetual challenge. When Masha is dancing alone in her room at night, high above the rooftops of a city somewhere in the Ukraine, nothing about it feels staged. Rather, it is an invocation of the moment, of genuine emotion – and of pain. Read More »