Swedish filmmaker Alf Sjöberg’s visually innovative, Cannes Grand Prix-winning adaptation of August Strindberg’s renowned 1888 play brings to scalding life the excoriating words of the stage’s preeminent surveyor of all things rotten in the state of male-female relations. Miss Julie vividly depicts the battle of the sexes and classes that ensues when a wealthy businessman’s daughter (Anita Björk, in a fiercely emotional performance) falls for her father’s bitter servant. Celebrated for its unique cinematic style (and censored upon its first release in the United States for its adult content), Sjöberg’s film was an important turning point in Scandinavian cinema. Read More »
Tag Archives: Ulf Palme
The story about the thief who didn’t get crucified because Jesus was chosen to take his place.
This is the final cut, shown on Swedish TV for the very first time this Easter. Read More »
After failing to arrange a marriage with Elizabeth Tudor of England, king Erik XIV of Sweden needs a wife and children to secure his throne, fast. He falls in love with Karin Månsdotter, a very beautiful young girl, but of lowborn stock. The King’s secretary sees a chance to secure the good opinion of the populace, to act as a counterweight to the rich noblemen who always seek more influence. A marriage is made, but the king is not fully at his wits at a time when it is most needed… Read More »
Bo Widerberg’s one and only comedy!
Young Roland wants to write. In desperate need for money, he takes job at an advertising agency. He ends up in a department that advertise cosmetics. He is commissioned to do market research of a new remedy for pimples. Read More »
Statare, or country workers who recieved most of their payment in natura and didn’t own their own land, were the lowest of the low in Old Sweden. Maria – nicknamed ‘Rya-Rya’ – is born into this lot. A beautiful young woman, who the men tend to flock to, she quickly becomes with child. Her life changes forever…
Based on a novel by Ivar Lo Johansson. Read More »
Ekman’s favorite of his own films, and an enduring classic in Scandinavia, “Girl with Hyacinths” examines the mysterious suicide of a young woman (Eva Henning, Ekman’s wife at the time) through a Wellesian multiplicity of points of view. Visually striking, with extreme long takes and images that drift into a dreamlike surrealism, the film reveals its secrets with grace and sympathy, moving toward a final revelation that seems at least a generation ahead of its time. Read More »