Tag Archives: Valerie Hobson

James Whale – Bride of Frankenstein (1935)

Dr. Frankenstein and his monster both turn out to be alive, not killed as previously believed. Dr. Frankenstein wants to get out of the evil experiment business, but when a mad scientist, Dr. Pretorius, kidnaps his wife, Dr. Frankenstein agrees to help him create a new creature, a woman, to be the companion of the monster. Read More »

Stuart Walker – Werewolf of London (1935)

English Botanist Wilfred Glendon finds the rare flowering plant he seeks in Tibet, but not before he is bitten by a feral monster-man. Back at his greenhouse lab outside London, he wows his guests with exotic (and utterly fantastic) plant specimens, but is having trouble getting new blooms to form from his imported Tibetan buds, which legend has it only open under the rays of the full moon. Already neglected, his wife Lisa becomes further estranged when Wilfred acts oddly, even more reclusive than normal. A doctor Yogami has appeared to tell him that the flowers are the only antidote for ‘WereWolfry’, and that he’ll be ‘transvected’ every night of the full moon to seek a murder victim. When this turns out to be true, Wilfrid leaves home, and attempts to have himself confined in rented rooms and even a tower keep back at his wife’s country estate. But his efforts are to no avail: Neither locked doors nor barred windows can keep him from going on the prowl. Read More »

Stuart Walker – Werewolf of London (1935)

Story: Wilfred Glendon (Henry Hull) is a wealthy and world-renowned English botanist who journeys to Tibet in 1935 in search of the elusive mariphasa plant. While there, he is attacked and bitten by a creature later revealed to be a werewolf, although he succeeds in acquiring a specimen of the mariphasa. Once back home in London he is approached by a fellow botanist, Dr. Yogami (Warner Oland), who claims to have met him in Tibet while also seeking the mariphasa. Yogami warns Glendon that the bite of a werewolf would cause him to become a werewolf as well, adding that the mariphasa is a temporary antidote for the disease. Read More »

Robert Hamer – Kind Hearts and Coronets [+commentary] (1949)

Quote:
Film Forum writes:Poor relation Dennis Price, ninth in line to the Dukedom of Chalfont, coolly narrates from prison his ascent to the peerage via serial murder, bumping off one D’Ascoyne after another, from an arrogant playboy, to a bullet-headed general, to a stiff-upperlipped Admiral, to a dotty reverend, to a formidable dowager — all, plus three more, played by Alec Guinness. Read More »

Robert Hamer – Kind Hearts and Coronets (1949)


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Synopsis:
Director Robert Hamer’s fiendishly funny Kind Hearts and Coronets stands as one of Ealing Studios’ greatest triumphs, and one of the most wickedly black comedies ever made. Dennis Price is sublime as an embittered young commoner determined to avenge his mother’s unjust disinheritance by ascending to her family’s dukedom. Unfortunately, eight relatives—all played by the incomparable Alec Guinness—must be eliminated before he can do so. Read More »

René Clément – Monsieur Ripois aka Knave of hearts (1954)

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The Italian neo-realist influence that is so evident in René Clément’s Oscar-winning 1949 film Au-delà des grilles is also felt in this quirky romantic comedy, through its use of real locations (mostly in the bustling centre of London) and fluid, documentary-style photography. Along with some of his contemporaries (notably Georges Franju and Jean-Pierre Melville) René Clément had started to trail-blaze a new kind of cinema, departing from the conventions of the quality tradition that had grown stale and predictable by the early 1950s, and laying the groundwork for the French New Wave. If you did not know that Clément had directed Monsieur Ripois, you might easily mistake it for an early offering from one of the Nouvelle Vague filmmakers – Jean-Luc Godard, Eric Rohmer, Jacques Rivette, Louis Malle or François Truffaut. Read More »

David MacDonald – This Man Is News (1938)

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David Kier, one of the thieves in a sensational jewel robbery and subsequent trial, is set free when the turns King’s Evidence on the other members. Kier refuses to give reporter Simon Drake an interview, as Simon thinks he will probably be killed by other gang members, but Simon makes note of his address. Simon is fired by his city editor, MacGregor, for failing to cover another assignment and the editor says he would not believe Kier’s murder if reported by Simon even if it happened. Simon returns home and is persuaded by his wife Pat to have a drink or two. The tipsy Simon, as a joke, telephones Sim and tells him that Kier has just been murdered, and the excited Sim hangs up before Simon can explain it is just a joke. Read More »