Vanessa Redgrave

Director Mohanad Yaqubi draws on recently-discovered and archival found footage to explore the tumultuous history of Palestine and Palestinian filmmaking in this timely and insightful documentary.Read More »

A group of insane persons run away from the probably just as crazy civilization.Read More »

Synopsis:
A tangled triangle. In the rural South of the early 20th century, Miss Amelia is the town eccentric, selling corn liquor and dispensing medicine. She takes in her half-sister’s son, a diminutive crook-back named Lymon. He suggests they open a café in the downstairs of her large house. Marvin Macy gets out of prison and returns to town; turns out he was married to Amelia but it wasn’t consummated. He pleaded, then got angry. Is he back for revenge? Eventually, Amelia and Marvin stage a no-holds-barred fight in the café. Lymon’s complicated response to Marvin and to Cousin Amelia figures in the resolution.Read More »

A chronicle of events that led to the British involvement in the Crimean War against Russia and which led to the siege of Sevastopol and the fierce Battle of Balaclava on October 25, 1854 which climaxed with the heroic, but near-disastrous cavalry charge made by the British Light Brigade against a Russian artillery battery in a small valley which resulted in the near-destruction of the brigade due to error of judgment and rash planning on part by the inept British commanders.Read More »

The mysterious death of an enigmatic young man newly arrived in the suburb of Wetherby releases the long-repressed, dark passions of some of its residents.Read More »

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Wagner is a giant, unwieldy beast. Eight hours devoted to the German composer, from the age of 35 to his death. Its sheer length allows the screen to play house to his politics, his person and his loves all within the frame of his music. Yet is enacts a precarious balance between the epic and the personal, between reverence and irreverence and between high art and high camp. Indeed, at its centre is not Wagner, nor Richard Burton who portrays the composer, but director Tony Palmer who grapples with the material throughout, sometimes succeeding and sometimes falling flat on his face.Read More »

From “Pentimento,” the memoirs of late playwright Lillian Hellman, JULIA covers those years in the 1930s when Lillian attained fame with the production of her first play “The Childrens’ Hour” on Broadway. Not surprisingly, it centers on Lillian’s relationship with her lifelong friend, Julia. It is a relationship that goes beyond mere acquaintance and one for which the word “love” seems appropriate. While Julia attends the University in Vienna, studying with such luminaries as Sigmund Freud and Albert Einstein, Lillian suffers through revisions of her play with her mentor and sometimes lover Dashiel Hammett at a New England beachhouse. After becoming a celebrated playwright, Lillian is invited to a writers conference in Russia.Read More »

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A portrait of the artist L.S. Lowry and the relationship with his mother, who tries to dissuade him from pursuing his passion.Read More »

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From Karel Reisz, the renowned director of Saturday Night and Sunday Morning, Night Must Fall, Isadora, The Gambler, Who’ll Stop the Rain, The French Lieutenant’s Woman and Sweet Dreams, comes this cult classic starring screen great Vanessa Redgrave (Julia, Mary, Queen of Scots) and legendary character actor David Warner (Cross of Iron, Perfect Friday) in one of his few starring roles. A gorilla-fixated artist with distinctly anarchist tendencies, Morgan (Warner) tries to regain the affections of his divorced wife Leonie (Redgrave) by variously kidnapping her, attempting to blow up her future mother-in-law and attacking her fiancé (Robert Stephens, Sherlock Holmes of Billy Wilder’s The Private Life of Sherlock Holmes). Cut with scenes from King Kong and Tarzan films, Morgan’s depiction of madness, dark humor and vintage performances made it one of the wildest, funniest and most provocative comedies of the ’60s. Nominated for two Oscars: Best Actress in a Leading Role (Redgrave) and Best Costume Design, Black-and-White (Jocelyn Rickards).Read More »