Viktor Malyarevich

Volodymyr Denysenko’s searing partisan drama is a neglected masterpiece of Soviet Ukrainian cinema. Recounting a partisan attack on a Nazi officer and the brutal recriminations that follow, Vasyl Zemliak’s quasi-autobiographical script draws on his own experiences in occupied rural Ukraine during World War Two. Denysenko renders Zemliak’s existentialist drama of conviction and sacrifice in starkly poetic visuals, accompanied by the discordant score of Krzysztof Penderecki. Conscience was shot as a diploma project in an effort to evade the censors, but was still denied a release and only screened in 1989. Reminiscent of Larisa Shepitko’s The Ascent, it is less celebrated than its contemporaries in the Ukrainian “poetic cinema” movement, but remains a clarion call of anti-war filmmaking.Read More »

Quote:
The story is set in a small village during the German occupation of Ukraine. When one of the local partisans kills a German officer, the occupants vow to kill the whole village if the perpetrator is not found and delivered to them. What would your conscience tell you to do if the choice was between your own life and that of an entire village? Conscience is a striking combination of expressionistic, metaphorical images and dramaturgic realism, and the soundtrack darkens the mood. Due to the film’s themes, it did not see wide release until perestroika. Made by students of the directing-acting workshop of Vladimir Denisenko at the Kiev National I. K. Karpenko-Kary Theatre, Cinema and Television University, it was only allowed to be made because it was never to be screened. Nowadays, the film is considered a classic of Ukrainian cinema.Read More »