Originally titled Pane, Amore, e Fantasia when released in Italy, Bread, Love and Dreams contains what some regard as Gina Lollobrigida’s best and most naturalistic performance. The film’s popularity resulted in two sequels, both with Lollobrigida: Pane, Amore e Gelosia (US title: Frisky) and the open-ended Pane, Amore e… (released in the states as Scandal in Sorrento). ~ Hal Erickson, All Movie GuideRead More »
1941-1950ComedyDMCA PolicyItalyRomanceVittorio De Sica
Plot Synopsis from allmovie.com
Doctor Beware was the U.S.-released title of Vittorio DeSica’s 1941 effort Teresa Venerdi. DeSica not only directed, but played the leading role of orphanage official Dr. Vignali. The thinnish storyline finds the good doctor becoming romantically involved with three women. It is up to orphaned girl Teresa Venerdi (Adriana Benedetti) to untangle all the plot lines–and, as a bonus, to come to the financial rescue of the improvident Vignali. When the film was released to the U.S. in 1951, supporting actress Anna Magnani, cast in a secondary role as one of Dr. Vignali’s amours, was given star billing.Read More »
Mario Bava1961-1970AdventureFantasyHenry Levin
Young man found in Baghdad in a lamp with a Genie Pony which help the Prince to defeat evil and the good Sposaro Grand Vizier of the Sultan’s daughter. Modest variations in the history of the Arabian Held in special effects at night with Mario Bava, Italian edition that the royal signature, and characterizations of gigionesche Vittorio. De Sica and Aldo Fabrizi.Read More »
1971-1980ComedyItalyVittorio De Sica
Nino Manfredi and Mariangela Melato are a couple who teach at the same elementary school and are dying to have a child of their own. At this school all the little students wear uniforms that make them look like miniature Austin Powers’. They also accompany the soundtrack with insipid songs that tell you what you are looking at. Whether you understand Italian or not, it soon gets on your nerves.Read More »
1961-1970ArthouseDramaItalyVittorio De Sica
*** BEST FOREIGN LANGUAGE FILM – Oscar winner, 1972 ***
The film is set in Ferrara, northern Italy, between 1938-1943, and shows the lives of the Jewish Finzi-Contini family and their friends as they struggle against Mussolini’s fascism and anti-Semitism in wartime Italy. The Finzi-Contini family is one of the leading families in the town. The adult children, Micòl and Alberto, gather friends for tennis at their villa with its lovely grounds, keeping the rest of the world at bay. Into the circle steps Giorgio, a Jew from the middle class who falls in love with Micòl.Read More »
1951-1960ComedyDramaItalyVittorio De Sica
A tribute to Naples, where director De Sica spent his first years, this is a collection of 6 Napolitean episodes : a clown exploited by a gangster ; an inconstant pizza seller (Sofia) loosing her husband’s ring ; the funeral of a dead child ; the gambler Count Prospero B. defeated by a kid ; the unexpected and unusual wedding of Teresa, a prostitute ; the “professor” Ersilio Micci, a “wisdom seller”.Read More »
1971-1980CultHorrorItalyPaul MorrisseyQueer Cinema(s)
Udo Kier is without a doubt the sickliest of vampires in any director’s interpretation of the Bram Stoker tale. Count Dracula knows that if he fails to drink a required amount of pure virgin’s [pronounced “wirgin’s”] blood, it’s time to move into a permanent coffin. His assistant (Renfield?) suggests that the Count and he pick up his coffin and take a road trip to Italy, where families are known to be particularly religious, and therefore should be an excellent place to search for a virgin bride. They do, only to encounter a family with not one, but FOUR virgins, ready for marriage. The Count discovers one-by-one that the girls are not as pure as they say they are, meanwhile a handsome servant/Communist begins to observe strange behaviour from the girls who do spend the night with the Count. It’s a race for Dracula to discover who’s the real virgin, before he either dies from malnourishment or from the wooden stake of the Communist!Read More »
1931-1940ComedyItalian Cinema under FascismItalyMario BonnardNunzio Malasomma
Non ti conosco più (I don’t know you anymore) is a 1936 film directed by Nunzio Malasomma based on a theatrical text by Aldo De Benedetti, who also worked on the script.
Luisa is the shrewish wife of the attorney Paolo Malpieri who can’t stand the avarice of her husband who refuses to satisfy her whims: a new car, an electric water heater and new furniture.Read More »
Maria and Paolo are in love, but they are very young, and most importantly Maria is the daughter of the municipal sweeper while Paolo is the son of lawyer Bonelli, deputy mayor and leader of the opposition.
To complicate matters there is the reconstruction of a hospice destroyed during the war. The reconstruction would obstruct the panorama enjoyable from the villa of Paseroni, big industrialist and political wheeler-dealer.
Bonelli, great speaker, becomes mayor for the death of his predecessor, and gets bribed by Paseroni, while refusing the love of Paolo and Maria for the social differences, and because Paolo should go after Paseroni’s daughter.
At this point, Paolo and Maria flee to kill themselves, just as Bonelli is about to give a speech on the radio for the inauguration of the villa of Paseroni…Read More »