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Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance.Read More »
A road trip through Louisiana transforms three strangers who were originally brought together by their respective feelings of loneliness.Read More »
Ten years after they went their separate ways following the breakdown of their marriage, Jacques makes a sudden reappearance in Mado’s life. Whilst Jacques has been unable to move on and build a new life for himself, Mado has married another man, Stéphane, with whom she has had a son, Paul, now seven years old. It was the tragic death of their child which led to Jacques and Mado’s separation, and it is something which Jacques has been unable to put behind him. When she sees how Jacques and Paul warm to one another, Mado becomes concerned and insists that her ex-partner he should never see her son again. Unwilling or unable to let go of the tragedy that still haunts him Jacques holds a private vigil in the basement of the apartment block where Mado and her family live, just so that he can be near to the little boy who has come to replace the one he has lost…Read More »
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Gorky Park, in both the original novel by Martin Cruz Smith and the movie adaptation scripted by the legendary Dennis Potter (Pennies from Heaven and The Singing Detective), introduced one of the most intriguing fictional detectives of the last half century: Chief Investigator Arkady Renko of the Moscow police force in the former Soviet Union. Like all great detectives, Renko is committed to truth and justice, but he has to pursue them in a system that owes its very existence to secrecy, lies and concealment. This fundamental conflict runs through all of Renko’s cases, along with a conflict-ridden family history, including a famous general of a father who disapproved of his son’s choice to pursue a career in law enforcement.Read More »
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In the 1990s, a South American city is rocked by the imminent outbreak of a plague. While many attempt to flee the city, Dr Bernard Rieux sends his sick wife away and does his best to care for the plague’s victims. The plague means different things to different people: to the doctor, it’s a disease to be cured. To a pair of French journalists, it’s a breaking news story. To religious leaders, it’s punishment for sins. As the sense of isolation and hopelessness grow, Dr Rieux and his associates begin to question their previously-accepted feelings of justice, loneliness, and love. Based upon the novel by Albert Camus.Read More »
A burlesque comedy made on a large(ish) budget by the mistress of small and often serious independent films.
A temporary apartment swap between a man in New York and a girl in Paris leads to hilarious developments. Henry (William Hurt) is a rich psychiatrist in his forties with a fantastic apartment in New York City. After his relationship breaks up he feels the need to come to himself. He puts an ad in the Paris edition of The Herald Tribune, in which he offers to swap his flat. The young dancer Beatrice (a role in which Juliette Binoche proves her great comic talent) pores over the The Herald every day to improve her English and sees Henry’s ad. Read More »
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Kiss Of The Spider Woman takes place in an un-named, fascist country in South America. It is, essentially, a two-actor drama featuring two men, of vastly different demeanors and ideologies, who share the same cell in a brutal prison. Louis Molina (William Hurt) is a flamboyant homosexual window dresser who is imprisoned for corrupting a minor. His cellmate is Valentin Arregui (Raul Julia), a journalist jailed for his leftist political activities. To alleviate the day-to-day drudgery, Molina entertains Valentin by retelling the stories of his favorite movies.Read More »
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Conceived as the ultimate road movie, this decades-in-the-making science-fiction epic from Wim Wenders follows the restless Claire Tourneur (Solveig Dommartin) across continents as she pursues a mysterious stranger (William Hurt) in possession of a device that can make the blind see and bring dream images to waking life. With an eclectic soundtrack that gathers a host of the director’s favorite musicians, along with gorgeous cinematography by Robby Müller, this breathless adventure in the shadow of Armageddon takes its heroes to the ends of the earth and into the oneiric depths of their own souls. Presented here in its triumphant 287-minute director’s cut, Until the End of the World assumes its rightful place as Wenders’ magnum opus, a cosmic ode to the pleasures and perils of the image and a prescient meditation on cinema’s digital future.Read More »
Description: Fifteen years ago, Alice (Mia Farrow) gave up her fashion career to marry the wealthy Douglas (William Hurt). Now they live in a fancy East Side apartment, with their two kids and several servants. She spends her time shopping, heaving beauty treatments, and being a good wife/mother. Raised a Catholic – her idol is Mother Teresa – Alice feels guilty just for being madly attracted to Joe (Joe Mantegna): a sax player and single father whose kids attend her kids’ school. She is too shy to talk with him. Having a painful back, she goes to Dr. Yang (Keye Luke): a weird acupuncturist-herbalist, who realizes that her problem is caused by her attraction to Joe. Yang gives her a special herb.The next day she uninhibitedly flirts with Joe and they make a date. But later she feels to guilty and scared to keep it. She takes more of Yang’s potions.Read More »