Zoltán Fábri

The Fifth Seal (Az ötödik pecsét) is a 1976 film by Hungarian director Zoltán Fábri based on the 1963 novel of the same name by Hungarian author Ferenc Sánta. It won the Golden Prize at the 10th Moscow International Film Festival and it was entered into the 27th Berlin International Film Festival. It tells a story set in the closing days of World War II in which five friends meet in a local cafe in Hungary. When one of them makes a disparaging political remark that is overheard and reported to the Arrow Cross soldiers, their own beliefs about freedom and dignity are tested when they are imprisoned, tortured and offered freedom only if they slap the face of a dying Communist partisan.Read More »

“This is a fascinating, thought-provoking film which may be invaluable to anyone interested in the complexities of socialist Hungary. It takes the form of the (fictional) study of a single Hungarian village through interviews by a reporter, but the village is clearly an allegory for Hungary as a whole and the process through which the country passed from the beginning of socialism through to the aftermath of 1956. Because of its narrative structure and its level of sensitivity and sophistication it has the potential to be immensely informative; it is also a moving and disturbing film.”Read More »

A landowning farmer busies himself in his free time by bedding down the women on his farm and then tossing them aside. The farmer does not reform his ways and is soon chasing after the young manager’s wife, the woman he dropped not that long ago. The results are disastrous.Read More »

The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns’ strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia’s sinful attraction towards her and the tools Virginia is using to gain victory at any price.Read More »

The setting is the countryside, where an independent, landowning farmer busies himself in his free time by bedding down the women on his farm and then tossing them aside. One such ill-treated lass ends up marrying a young man who is in charge of a communal farm, a farm the womanizing “beast” of the title is later forced to join. The arrogant, formerly independent farmer does not reform his ways and is soon chasing after the young manager’s wife, the woman he dropped not that long ago.Read More »

Fábri linked two József Balázs novels. The Bálint Fábián story depicts the bitter peasant existence of the father of the protagonist of Hungarians with a profundity and power similar to sociographic literature of the 1930s.

Bálint Fábián is killing people on the Italian front in 1918. At home, his sons strangle the priest who is the lover of their mother. On returning from the front, instead of discovering a robust wife Bálint finds a deranged woman. He is to be the carriage driver for the baron but during the ‘white terror’ he showed solidarity with his fellow labourers, and he returns to his sons as a shepherd. His wife dies, his sons abandon him…Read More »

Zoltan Fabry’s last movie is based on Ferenc Karinthy’s play “Housewarning”. The economical and political stakeholders of a small town come together in a luxury villa on a name day celebration. Everything starts as usual, but this time an incident disrupts the men’s festivities. Andrea Bíró, accompanied by her boyfriend, announces to her father, the director of the local Iron Works, that she wants to leave home. The father shots the boy in his quick anger. The attendants adjust the incident as an accident, but a local newspaper-writer, Luca Péteri, begins an investigation in the case, despite the obstacles and lethal threads.Read More »

Zoltan Fabri’s 1956 Hungarian feature about the persecution of an educator (played for both laughs and great pathos by Ernö Szabó) whose essay about Hannibal and the Punic Wars in a school bulletin is deemed unflattering to the Mussolini regime. A beautifully shot, modest masterpiece which is, as the cliche goes, as timely today as ever.Read More »

In a rural scenery in the throes of difficult changes lives a humble but promising young farmer girl called Mari Pataki. Her father forbids her from seeing the man she loves. The father, above all preoccupied by work on the fields and prospective wealth, decides to give his daughter in marriage to an old but rich man with whom he does business. Land marries land, he says. This seems to be the unyielding rule of the Hungarian peasantry. But the young lover is ready to stand up to any challenge to keep Maris love.Read More »