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On the basis of their own creative, political and financial struggles, two filmmakers – along with composer Geneviève Ackerman – decide to play the lead roles in a B-movie inspired scenario, creating a diffracted projection of their own concerns with the state of things. Shot over a three-year period with an old analog camera, no budget, financial or professional support, The Dream and the Radio was entirely produced with the help of friends, neighbours and homeless people. Mixing hybrid elements and using alienating visual and sound effects, the film refers to experimental and political film movements from the 1920s and 1960s. Read More »