The conceptual rigidity of Adamczewski’s film recalls the formal experiments of structural film in the 1970s. The care with which the film-maker handles her material has become rare in the digital age and for this reason deserves special attention. The tight cinematic framework into which Adamczewski forces the vigour of her research makes this film an extremely intense experience. It is the product of a generation determined to resist the right-wing movement in German society.Read More »