Quote:
Notre Musique, is an indictment of modern times divided into three “kingdoms”: “Enfer” (“Hell”), “Purgatoire” (“Purgatory”) and “Paradis” (“Paradise”). A unqiue blend of almost abstract cinema, fiction, and documentary. It opens with a montage entitled “Hell”, which shows real and fictional footage of carnage: soldiers, atrocities, war. As brief as it is, the relentless and strangely beautiful barrage of violence is enough to make anybody despair of the human race.Read More »
PLOT: In 2 or 3 Things I Know About Her (2 ou 3 choses que je sais d’elle), Jean-Luc Godard beckons us ever closer, whispering in our ears as narrator. About what? Money, sex, fashion, the city, love, language, war: in a word, everything. Among the legendary French filmmaker’s finest achievements, the film takes as its ostensible subject the daily life of Juliette Janson (Marina Vlady), a housewife from the Paris suburbs who prostitutes herself for extra money. Yet this is only a template for Godard to spin off into provocative philosophical tangents and gorgeous images. 2 or 3 Things I Know About Her is perhaps Godard’s most revelatory look at consumer culture, shot in ravishing widescreen color by Raoul Coutard.Read More »
Two crooks with a fondness for old Hollywood B-movies convince a languages student to help them commit a robbery.Read More »
Quote:
“C’est un film simple sur des choses compliquées”, this is how J.L. Godard once described Le mépris : “It’s a simple film about complicated things.”
I. “Totalement, tendrement, tragiquement”
II Cinecittà, “All kinds of real human beings.”
III. Prokosch’s villa in Rome – “About the money and your wife”
IV. In the appartment – “I’m not going, I’m not going”
V. In the theater (where one sells lies)
VI. Capri – “I have to know why you despise me”
VII. “Adieu”
VIII. Ithaque – “Silenzio!”Read More »
Jean-Luc Godard’s first film. After returning to Switzerland, Godard went to work as a manual worker at a dam building site, using the money he earned to buy a camera, and making a short documentary about the building of the Grand Dixence Dam.
(Also known as Operation ”Concrete”.)Read More »
Plot:
Two women and two men meet, converse with one another and ask questions, even about the use of words, but especially about fundamental matters concerning happiness and love. Is the harmony of love reconcilable with wisdom and intelligence, with fear and fatigue? With humour, seriousness and pleasure, these men and women, who know the price of existence, seek their road together.Read More »
Godard’s last film, a trailer for a movie that will never exist, shows a series of collages on what appears to be photographic paper, and is about Belgian surrealist/poet Charles Plisnier, who was expelled from the Communist party in 1937.
Quote: A few months before he left the screen for all eternity, Jean-Luc Godard put the finishing touches to a one-of-a-kind, nineteen-minute short that the Festival de Cannes is honoured to present in a world première. Fabrice Aragno, one of his closest colleagues, reflects on how Drôles de guerres came to be — a film that sets out to ‘shape thought‘.Read More »
A few years ago, Mitra Farahani had an idea. Could she engineer the encounter of two great filmmakers who, although they belong to the same generation, have never met in person: Jean-Luc Godard, the Swiss master who needs no introduction, and the lesser known Ebrahim Golestan, whose literary and film work is the bedrock of modern Iranian culture – two hermits of cinema’s technical and political revolution.Read More »
Quote:
“C’est un film simple sur des choses compliquées”, this is how J.L. Godard once described Le mépris : “It’s a simple film about complicated things.”Read More »