
Quote:
“When humanity, subjugated by the terror of crime, has been driven insane by fear and horror, and when chaos has become supreme law, then the time will have come for the empire of crime.”Read More »
Quote:
“When humanity, subjugated by the terror of crime, has been driven insane by fear and horror, and when chaos has become supreme law, then the time will have come for the empire of crime.”Read More »
Synopsis: Spies (Spione) was the first independent production of German “thriller” director Fritz Lang. The years-ahead-of-its-time plotline involves Russian espionage activity in London. The mastermind is Haghi (Rudolph Klein-Rogge), a supposedly respectable carnival sideshow entertainer. Heading the good guys is Agent 326 (Willy Fritsch), with the help of defecting Russian spy Sonya (Gerda Maurus). The film moves swiftly to several potential climaxes, each one more exciting than its predecessor. Haghi’s ultimate demise is a superbly staged Pirandellian vignette. Anticipating Citizen Kane by a dozen years, director Lang dispenses with all transitional dissolves and fade-outs, flat-cutting territory from one scene to another. The film was co-scripted by Lang and his then-wife Thea Von Harbou. – Hal Erickson (AMG)Read More »
Quote:
One of the legendary epics of the silent cinema – and the first part of a trilogy that Fritz Lang developed up to the very end of his career – Dr. Mabuse, der Spieler. [Dr. Mabuse, the Gambler.] is a masterpiece of conspiracy that, even as it precedes the mind – blowing Spione from the close of Lang’s silent cycle, constructs its own dark labyrinth from the base materials of human fear and paranoia. Rudolf Klein – Rogge plays Dr. Mabuse, the criminal mastermind whose nefarious machinations provide the cover for – or describe the result of – the economic upheaval and social bacchanalia at the heart of Weimar – era Berlin. Read More »