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Set against the backdrop of an imperial victory in the civil war leading up to the Meiji Restoration, Fallen Blossoms tells the story of the sorrows of women in a geisha house in Kyoto by recounting the relationships of its inhabitants.Read More »
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Information film that was an important part of the rural electrification campaign, set up as part of the New Deal policies of president F.D. Roosevelt. Privatised electricity companies of the U.S. cities saw no profit in bringing electricity all the way to the sparsely populated countryside, so the ministry of Agriculture tried to convince farmers to set up co-operations which in turn could buy power from the government.
Ivens selected a model farm and family, the Parkinsons, and shows the daily life on the farm before and after the installation of electricity. The films was seen by over 6 million people until 1961 and houses besides the two main components of American culture (untamed pastoral nature versus industrial progress) many autobiographical aspects. The whole film is staged with the farmer’s family acting as themselves. Today we’d call this a docudrama. The Parkinson’s farm had already been electrified several months before the shooting.Read More »
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The Zuiderzee Works episode of We Are Building was elaborated to the much longer film Zuiderzee by Joris Ivens in 1930. In 1934 Ivens used the same material, and additional footage, to make another version: New Earth. This time the film got a political message, and the editing became more compact and stronger, sustained by the stirring Music of Hanns Eisler. After the part on the reclamation and the closing of the dyke the film continues with images of the economic crisis and the poverty among labourers. Ivens opposes this with the speculation on the market: those who helped with the reclamation of new land for agriculture are now unemployed and starving, while grain is dumped at see to keep the prices up. The closing of the dyke is still one of the strongest editing sequences in the films of Joris Ivens.Read More »
Synopsis
When his mother dies, young Peter Ibbetson leaves Paris and his best friend, Mary, behind to live with a severe uncle in England. Years later, Peter (Gary Cooper) is an architect with little time for women, until he begins a project with the Duke (John Halliday) and Duchess of Towers (Ann Harding). When Peter and the duchess become great friends, she reveals that she is Mary — but the duke soon suspects his wife of infidelity and challenges Peter to a duel, threatening the pair’s second chance.Read More »
An industrial film which shows the operations inside the Philips Radio plant: In a mêlée of activity, glassblowers make delicate glass bulbs. Machinery assists the bulb manufacture. A virtuoso glassblower begins a more complex tube used in radio broadcasting; it is then turned, fired, and sculpted. Conveyors carry partially completed units. Workers perform their various specific assembly-line tasks. Cases are manufactured and machined, wire harnesses are assembled, loudspeakers are produced. As radios near completion, they are run through a series of tests. Engineers and draughtsmen define future developments. In a closing stop-motion sequence, in a style reminiscent of Norman McLaren, a group of loudspeakers performs a playful dance. The film overall is a poetic depiction of an industrial process.Read More »
Maya Grohn wrote:
This film is based on the book Heaven and Maiko by Yoshiya Nobuko.
It is a story of two girls with totally different family backgrounds. The family of Eiko was in the okiya business, which handled geiko (geisha), one of the highest rank okiya in Osaka. Eiko was attending the girls’ school, modeled after Wilmina Girls School (currently Osaka Jogakuin).
One day a new girl, Sada Mitsuru moved to the school from Tokyo, Mitsuru’s father was a successful businessman and her mother a pious Christian.Read More »
An actor of the stage finds himself pursued by a lovestruck fan while trying to patch up a tempestuous relationship with his actress lover.Read More »
L’Arabie interdite (1937)
Documentary made in Yemen (and first film ever shot in this country) under the leadership of archaeologist Jules Barthou. During the adventure of this film, René Clément will serve four days in prison for having concealed a camera under his clothes, then will be captured by rebels and threatened with being shot. The majority of the negatives will be seized by the guards of Imam Yahia, and it is with the remaining rushes that Clément will edit what becomes The Forbidden Arabia, a film entrusted to the Musée de l’Homme in 1965 where it is forgotten until that ethnologist Claudie Fayein unearths it and has it restored.Read More »
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“Steamboat ‘Round the Bend” was a personal project for Ford who saw the novel (Ford purchased the adaptation rights from writer Ben Lucien Burman) as a potential opportunity to work with his good friend Will Rogers. The pictures he directed at Fox were usually lighter affairs with a sustained focus on entertainment rather than art. Ford is generally not remembered for such films because his precise framing and noble themes brought him far more recognition and acclaim. Nevertheless, Ford still had the sense to know how to present a good comedy.Read More »