

The story follows the life of Leni Gruyten, a regular German woman during the 1930s and 40s. Through her interactions with friends, family, and other people she knows, the regular folks’ perception of the Nazi era is shown.Read More »
The story follows the life of Leni Gruyten, a regular German woman during the 1930s and 40s. Through her interactions with friends, family, and other people she knows, the regular folks’ perception of the Nazi era is shown.Read More »
Dvoje was Petrovic’s first full-length feature film and obviously quite influenced by the French new wave. The film was in competiotion at 1962 Cannes festival. As Daniel Goulding puts it: “…It is an antioptimistic manifesto exploring a failed love relationship, played out in an alienated urban environment. An intimate film, it explored new possibilities for film language by replacing traditional narrative structures with intricate visual metaphors. “Read More »
From Klassiki:
One of the first films from Eastern Europe to explore the lives of the Roma in sympathetic detail, and to cast Romani-speaking Roma in order to do so, Aleksandar Petrović’s Cannes-winning classic builds a complex and humanistic narrative out of the misery of life in a Vojvodina village. Ill-fated romance leads the central trio of swaggering, mean-spirited Bora (Bekim Fehmiu), folk singer Lenče (Olivera Vučo), and young beauty Tisa (Gordana Jovanović) through a whirlwind of unforeseen circumstances, captured in striking colour and intricate period detail. Aleksandar Petrović was always the most accessible of the directors who made up Yugoslavia’s “Black Wave” avant-garde in the 1960s and ‘70s, and this tribute to unruly freedom is his most populist work.Read More »
Plain of Vojvodina, Serbia, where many Gypsies live. Married to a woman much older than him with whom he has already had many children, Bora is often absent. His job as a feather worker takes him from village to village. On the road, he falls in love with Tissa, a young, vagabond and wild Gypsy on the run. Her brutal and possessive father-in-law Mirta makes a wedding proposal to a young Gypsy, hoping to keep her close to him. But Tissa rejects her young husband and, unbeknownst to everyone, leaves with Bora in the mountains to get married by a monk. But very quickly, Tissa gets bored and runs away again, decided to join Belgrade…Read More »
Bice skoro propast sveta (1968)
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A bizarre and tragic love story involving swineherd, village fool, teacher and an agricultural pilot. The story unfolds in a remote village in the communist ruled Yugoslavia at the down of Soviet occupation of Czechoslovakia in 1968.Read More »
Three encounters of revolutionary Milos (Velimir “Bata” Zivojinovic) with death during the war. In the episode one, Milos is watching the death of someone else. In the second episode, he is being prosecuted by Germans. In the third episode, he lived throughout the war in the situation to decide human lives. The dilemma which haunted him during the war stays: whether to punish or forgive.Read More »
From IMDB:
Bora the Gypsy is married to an older woman, and he falls in love with the younger Tissa, who is being offered in marriage by her father, to a young gypsy man. This marriage arrangement is according to custom. Tissa rejects her husband, claiming he is not able to consumate the marriage, and Bora joins her. They get a monk in the mountains to marry them. Unable to return to the Gypsy camp, Tissa tries to reach Belgrad on her own, but a couple of truck drivers rape her, and she does return in misery to her tribe. Meanwhile, Bora defends his honour the traditional way, in a knife duwl, and kills his opponent. Therefore he, too, must leave the tribe. And yet, we’ll find happy gypsies… Written by Artemis-9 Read More »