Egypt

Mustafaa is a high school philosophy teacher whose life is turned upside down when the landlord decides to raise his rent. When he fails to pay the new rent, he moves to a cheap dilapidated room on the roof of the building, which had been abandoned after being occupied for many years by a black magician. Mostafaa begins his own journey with black magic when he falsely claims an ability to communicate with spirits and demons, and becomes rich and famous working as a fortune teller. However, getting arrested as a charlatan puts his ‘magic powers’ to the ultimate test. Directed by Ali Abd Elkhaik and starring the well known Egyptian actor Ahmed Zaki.Read More »

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This is a classical melodrama from Egypt and nicely shot in black and white. It is a tale of relations between man and woman, death, revenge and forgiveness. To watch a film is not just the moving images it is also a opportunity to travel in time and space. Here one is moved back too Egypt in the fifties. I do believe that with the travel back in time there is also and chance to learn something about norms and values, the society and how the relations between people was at that particular time in that particular environment. Doa al karawan AKA The Nightingale’s Prayer (1959) was chosen as one of the best Egyptian films of all time, and it also stars Faten Hamama and she is maybe the number one female screen icon of Egyptian cinema. This film is based on a novel by Taha Hussein and he is considered to be one of the finest and most influential writers of modern Egyptian literature.Read More »

In the late 1800s, an isolated Egyptian mountain clan sustains itself by exploiting Egypt’s ancient heritage, secretly raiding the tombs of the Pharaohs in Thebes. “One of the greatest Egyptian films ever made, Al-Mummia has an extremely unusual tone – stately, poetic, with a powerful grasp of time and the sadness it carries. The carefully measured pace, the almost ceremonial movement of the camera, the classical Arabic spoken on the soundtrack, the unsettling score by the great Italian composer Mario Nascimbene – they all work in perfect harmony… This picture has a sense of history like no other, and in the end, the film is strangely, even hauntingly consoling – the final understanding of who and what we are” (Martin Scorsese).Read More »

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In 1798, Napoleon lands his army in Egypt, defeats the Mameluke warlords (the remnants of Ottoman rule), and goes on to Cairo. Three brothers, who are Egyptian patriots, chafe under Mameluke rule and reject the prospect of French domination. Bakr, the eldest, is a hothead, quick to advocate armed rebellion; Ali is more philosophical and poetic; Yehia is young and impressionable. One of Napoleon’s generals, the one-legged intellectual Caffarelli, wants to make Frenchmen out of Ali, Yehia, and other Egyptians, opening a bakery where their father works, becoming a tutor, and declaring his love for them. Is tragedy the only resolution of these conflicting loyalties?Read More »

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After studying literature at Cairo University, Dunia, 23 years old, wants to become a professional dancer. She attends audition for an oriental dance contest where she recites Arabian poetry without any body movement. She explains to the perplexed jury that a woman can’t move her body or evoke act of love when society ask women to hide their femininity. She is selected and meets Beshir, an intellectual and activist who will supervise her thesis on ecstasy in Sufi love poetry. Their attraction is mutual. This could be liberation for Dunia but the constraints on women in Egyptian society goes deeper than she suspects.Read More »

The last film in Youssef Chahine’s autobiographical Alexandria Trilogy stars Chahine himself as his cinematic alter ego, Yehia Mourad, completing his merging of fiction with real life and drama with psychodrama. Opening with Chahine’s triumph at the Berlin Film Festival, where he took home the Silver Bear for Alexandria…Why? (the first film in the trilogy–this is layered stuff), the film explores Yehia’s obsession with his young star, Amir (Amr Abdel-Guelil), while participating in the general strike of 1987. As Yehia fantasizes about the films they would make together (one of them looks like a loony take on Jesus Christ Superstar), he elevates Amir from a kind of adopted son to cinematic messiah. But while caught up in the strike, Yehia becomes enchanted by a former actress, Nadia (Yousra), turned dedicated revolutionary, and he decides to cast her in his next feature.Read More »

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During the Second and Third Crusades, Saladin beat the Franks in battle partly because he was helped by an Arab Christian named Issan. Thus he was able to reconquer Jerusalem and take many prisoners, including Guy de Lusignan, a Christian King.
This big budget production, promoted by Assia, a well-known female producer, enabled Chahine to offer an Arab perspective on the history of the Crusades such as presented by Hollywood and Cinecittà. In order to obtain Egyptian army’s logistical support and also administrative clearances, Chahine cunningly persuaded Nasser, the charismatic ruler of Egypt, that the film was being made as a tribute to him.Read More »

“Mother, come and see how beautiful Damascus is!”, little Omar cries out to his mother, a young woman drained by mourning. The widely acclaimed, partially autobiographical, Dreams of the City marks the turn towards auteur Syrian cinema, resurrecting the memories of childhood of the working poor. A young widow and her two sons are forced to move from their native Quneytra to Damascus, where her father forces them to fend for themselves. Against the backdrop of successive military coups that punctuated the turbulent 1950s in Syria, Adib, the eldest of the boys comes of age in the vast and overwhelming urban magic of Damascus. The image of mosques, faces and the greenery of Damascus swirl by as Adib witnesses a dizzying and violent day in the city. At last, the wounded child gazes at the full moon; the city shatters against it.Read More »

This film can be considered one of the world’s best movies, actually it was chosen on top of the best 100 movies in Egypt. The movie is adopted from a novel written by Abdel Rahman El Sharkawi and was directed by Youssef Shahin. Abdel Rahman El Sharkawi is a well known novelist and play-writer, in fact he’s much more recognized for the plays he wrote. The movie “El-Ard” was produced in 1969, which falls inn a very important period of time in the Egyptian history, at this time the Egyptian ideology was being restructured. As for the film itself, I would start by the choice of actors, when you think of the actors that were in Egypt at that time, you can’t find a replacement for any of the actors in the movie, and you feel that no one else can play in any of the roles. I would start by the Great actor Mahmoud El-Meliguy. Read More »