Max Ophüls

  • Max Ophüls, Stuart Heisler, Mel Ferrer, Preston Sturges, Paul Weatherwax – Vendetta (1950)

    1941-1950DramaMax OphülsPreston SturgesRomanceStuart HeislerUSA

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    Max Ophuls’ first American film. Fired by Howard Hughes after falling behind schedule, Ophuls was replaced by Preston Sturges, who had written the script. Sturges was then fired also. Over the next four years, Hughes tinkered incessantly with the project, and an array of writers and directors had their way with it. Finally editor Don Siegel attempted to put the thing together and make sense of it.

    So the movie is messy but with stunning sequences. Most sources credit Mel Ferrer with directing the ending, but it’s clear he only shot the leaden coda. The actual climax is a beautifully orchestrated, stunningly lit stalking scene with the principal characters hunting each other through a misty wood. Absolutely beautiful, and if this is what made Ophuls go over schedule, as seems likely, he was right to take the time to get it looking this amazing.Read More »

  • Max Ophüls – La signora di tutti AKA Everybody’s Woman (1934)

    1931-1940DramaItalian Cinema under FascismItalyMax Ophüls

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    Plot & review:
    From a novel by Salvator Gotta, scripted by the director with Curt Alexander and Hans Wilhelm.
    Under anesthesia, after a suicide attempt, Gaby Doriot, movie star, relives her life and her unlucky loves, sprinkled with violent deaths. The end of the commemoration coincides with that of the surgery.
    The first and only Italian film by M. Ophüls, in exile from Nazi Germany and called to Rome by Angelo Rizzoli.
    Despite the exaggerated romanticism and the vehement acting “Italian style”, it is a cooled melodrama (with veins of Pirandello) that anticipates the themes of later Ophüls’ films, especially Lola Montès (1955).
    M. Benassi heatedly over the top, and a memorable I. Miranda, poised between Greta Garbo and Marlene Dietrich.
    Awarded at the Venice Film Festival.
    MorandiniRead More »

  • Max Ophüls – Caught (1949)

    1941-1950DramaFilm NoirMax OphülsUSA

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    Synopsis:
    Young model Leonora Eames (Bel Geddes) marries multimillionaire Smith Ohlrig (Ryan). Ohlrig though is deranged and did not marry for love. Eames insists several times that she married for love, but the film suggests that she is deluding herself. When Ohlrig becomes too abusive, she leaves him, penniless, to find a job at a medical clinic in a poor neighborhood and eventually falls for Dr. Larry Quinada (Mason).Read More »

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