Oliver Hermanus

In this deeply affecting portrait of ordinary courage in present-day South Africa, a single mother—Shirley Adams—struggles to care for her paraplegic teenage son, Donovan, in a depressed district on the outskirts of Cape Town. Wearied but resolute, she desperately clings to him as he withdraws from the world following a suicide attempt, and is hopeful when his spirits are momentarily lifted by the appearance of Tamsin, a pretty but overeager social worker. But when the relationship between Donovan and Tamsin sours, his fragile emotional health declines, and Shirley’s faith and perseverance are put to the ultimate test. First-time director Oliver Hermanus’s observant camera holds close to its subjects, capturing the claustrophobia, intimacy and hushed anguish surrounding the tender daily routines of a mother and her child.Read More »

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Nicholas has long known he is different, that there is something shameful and unacceptable in him that must stay hidden, denied even. But South Africa’s minority government are embroiled in conflict at the Angolian border and all white young men over 16 must serve two years of compulsory military service to defend the Apartheid regime and its culture of toxic racist machismo. The ‘black danger’ is the real and present threat; what is wrong with Nicholas and others like him can be rooted out, treated and cured like a cancer. But just when fear pushes Nicholas to accept unspeakable horrors in the hopes of staying invisible, a tender relationship with another recruit becomes as dangerous for them both as any enemy fire.Read More »