Paulo Abreu

After the crisis came tourism and Lisbon’s transformation. Alis Ubbo (Phoenician for safe port) follows the change in the urban landscape of the city in 2016-2018.Read More »

In “What Is Not Seen”, Paulo Abreu subtly repositions the most characteristic tropes of the travel narrative: in lieu of a dialectic of self-recognition mediated by the discovery of others, we find a game of interruptions, in which the constant theme of the mechanisms of vision – within a markedly essayistic device between landscapes, displacements, and voice over – seemingly replaces the utopia of a possible encounter.Read More »