After years of unavailability, the three surviving episodes from the legendary BBC horror anthology series Dead of Night, finally come to DVD. Originally screened on BBC2 in 1972, and rarely seen since, Dead of Night has been highly sought by fans of the BBC and British horror for decades.Read More »
Paris, je t’aime is about the plurality of cinema in one mythic location: Paris, the City of Love. The filmmakers have five minutes each; the audience must weave a single narrative out of eighteen moments. The moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There’s a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all.Read More »
Two Los Angeles detectives are assigned to track down and arrest a brutal rapist-murderer terrorizing the city. Their job is complicated by the fact that the killer is able to avoid capture because he can pose as a woman.Read More »
Thriller is an anthology series of single plays – some horrific, some darkly hilarious. Highly-popular and critically acclaimed in its time, the show attracted a high calibre of stars. With tales featuring foreign agents and time-bending serial killers (and all points in between!), Thriller set a new benchmark for quality horror in the 1970s.Read More »
Thriller is an anthology series of single plays – some horrific, some darkly hilarious. Highly-popular and critically acclaimed in its time, the show attracted a high calibre of stars. With tales featuring foreign agents and time-bending serial killers (and all points in between!), Thriller set a new benchmark for quality horror in the 1970s.Read More »
Thriller is an anthology series of single plays – some horrific, some darkly hilarious. Highly-popular and critically acclaimed in its time, the show attracted a high calibre of stars. With tales featuring foreign agents and time-bending serial killers (and all points in between!), Thriller set a new benchmark for quality horror in the 1970s.Read More »
Thriller (aka. Boris Karloff’s Thriller) was an hour-long TV Horror anthology series that originally aired on NBC from 1960 to 1962. Horror fans who grew up in the 1960’s and 1970’s were nearly enraptured with the content and structure of this show. Indeed, in his non-fiction book on horror, Danse Macabre, Stephen King calls Thriller “the best horror series ever put on TV” (224; 1983 ed). At the beginning of each hour, Hollywood’s master of the macabre himself, Boris Karloff, would set the tone and prime the viewers for frightful and chilling dramatizations based on the works of some of the era’s greatest writers in the genre – writers like Robert E Howard, Cornell Woolrich, Richard Matheson, and Robert Bloch. Each episode was shot in eerie black and white and offered at least one story, with a few episodes dividing the hour between two or three shorter plays.Read More »
Thriller (aka. Boris Karloff’s Thriller) was an hour-long TV Horror anthology series that originally aired on NBC from 1960 to 1962. Horror fans who grew up in the 1960’s and 1970’s were nearly enraptured with the content and structure of this show. Indeed, in his non-fiction book on horror, Danse Macabre, Stephen King calls Thriller “the best horror series ever put on TV” (224; 1983 ed). At the beginning of each hour, Hollywood’s master of the macabre himself, Boris Karloff, would set the tone and prime the viewers for frightful and chilling dramatizations based on the works of some of the era’s greatest writers in the genre – writers like Robert E Howard, Cornell Woolrich, Richard Matheson, and Robert Bloch. Each episode was shot in eerie black and white and offered at least one story, with a few episodes dividing the hour between two or three shorter plays.Read More »
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Disc two travels back in time for two late-Twenties American shorts before heading off to France for three late-Forties/early-Fifties films, including the epic Lettrism manifesto, Jean Isidore Isou’s Venom and Eternity (also known by the far better title Treatise on Slime and Eternity, 1951). From the former group only James Watson and Melville Webber’s expressionist adaptation of The Fall of the House of Usher (1928) is of any note, while two of the three later films, Jean Mitry’s Pacific 231 (1949) and Dimitri Kirsanoff’s Arriere Saison (1950), serviceably employ techniques that had reached their fulfillment thirty years prior. Venom and Eternity is supposed to be the cherry on the cake—a rarely seen controversial feature with 34 minutes of restored footage.Read More »