Eiji Kawano (Kunie Tanaka) has recently broken from the Japanese company he used to work for. As an immigrant to Tasmania, he has been won over by the island’s immense natural beauty, and he is conscience-bound to oppose his former employer’s ecologically unsound practices. He is also estranged from his grown son, who still resides in Japan. When his son comes to Tasmania for a visit, he must face the challenge of renewing their relationship.Read More »
Back after four years, Goro learns his younger brother’s been thrown out of the gang and his girlfriend’s married another man. It’s payback time.Read More »
The unexpected death of Fujishima Motoharu, president of a medium-sized firm, triggers a fierce battle over his estate inheritance among family members.Read More »
Synopsis:
Ken Takakura stars in yet another bad-ass Prison film, in “Prison Boss”. Here, rival gangs battle it out over ownership of a bicycle race track. The outside life for the yakuza mimics prison life in two respects,…. First, there are rules that must never be crossed and second, when opportunity arises, the rules will always be broken.Read More »
A very beautiful film. This is a Ken Takakura vehicle, and as such follows his formula. Takakura plays to type as the laconic brooder who suffers multiple tragedies with manly stoicism. While the variety of his film varied greatly, his films with director Yasuo Furuhata were always of the highest quality, and this is no exception. Takakura is a cop training to be a sharpshooter for the Olympic games, he divorces his wife and abandons his daughter when he discovers she’s had an affair. Later his coach is gunned down by a fleeing criminal. Years later Takakura returns to his snowy hometown and starts an affair with a middle-aged bar owner. The story is a bit thick, with a number of subplots, yet it is extrordinarily melancholic, as Takakura seems to regret everything he’s done in his life and is made over and over again to relive his mistakes. There is very little “action” as such, and no yakuzas of any kind; but beyond that this is one of the most lushly beautiful and emotional films you can see (if you can see it), with an excellent score by Ryudo Uzaki.Read More »