Álex de la Iglesia

SYNOPSIS:
In a future ruled by attractive people, mutant terrorists kidnap a rich man’s daughter to claim rights for the ugly. Escaping police, the mutant leader crashes into a planet of crazy miners where no women live.Read More »

“Psycho Clowns in Franco Spain”: A twisted love triangle develops among a Spanish clown (Carlos Areces), his cruel rival (Antonio de la Torre) and the rival’s abused — but lustful — wife (Carolina Bang).

Jay Weissberg in Variety on the film for which Álex de la Iglesia has won the Silver Lion and an Osella for Best Screenplay in Venice, Balada triste de trompeta, known among English-speakers as either as A Sad Trumpet Ballad or The Last Circus: “Loud, tedious and unattractive in every sense, this barrage of blood set during the Franco regime combines the helmer’s customary cartoonishness with horror and ups it a thousand notches. Presumably his two vengeful clowns are meant to be an in-your-face comment on Spain’s fascist past, but the nonstop splatter has all the insight of an ultraviolent videogame.”Read More »

His teachers, coaches, childhood friends and Barça teammates, together with journalists, writers and prominent figures from the history of football, come together in a restaurant to analyze and pick apart Messi’s personality both on and off the field, and to look back at some of the most significant moments in his life. Viewed from Álex de la Iglesia’s unique perspective, Messi recreates the player’s childhood and teenage years, from his very first steps, with a football always at his feet, through to the decision to leave Rosario for Barcelona, the separation from his family, and the role played in his career by individuals such as Ronaldinho, Rijkaard, Rexach and Guardiola.Read More »