Bernard Fresson

  • André Cayatte – Il n’y a pas de fumée sans feu AKA Where There’s Smoke (1973)

    André Cayatte1971-1980DramaFranceThriller
    Il n'y a pas de fumée sans feu (1973)
    Il n’y a pas de fumée sans feu (1973)

    Synopsis
    Once again, Boussard is expected to win the coming mayoral elections with a handsome majority. One man who isn’t pleased by this prospect is Dr Peyrac, who is so disgusted by Boussard and his shady activities that he decides to run against him. For once, Boussard is anxious and sees the impeccable Dr Peyrac as a serious challenger, so he asks his secretary, Morlaix, to come to his aid. The latter discovers that Peyrac’s wife, Sylvie, is on friendly terms with Olga Leroy, a woman who is reputed to organise wild orgies for the well off. This is just the information Boussard needs to destroy his rival…Read More »

  • Robert Enrico – Tante Zita aka Aunt Zita (1968)

    Robert Enrico1961-1970ComedyFranceRomance

    A lonely young woman discovers life, love and death (and a runaway sheep) in one eventful night in Paris. Director Robert Enrico charms a delightful performance from Joanna Shimkus.Read More »

  • Henri-Georges Clouzot – La Prisonnière AKA Woman in Chains (1968)

    1961-1970ArthouseDramaFranceHenri-Georges Clouzot

    Steve Seid writes:
    Clouzot’s final foray into features takes us into another tortured love triangle to explore voyeurism and, by extension, the very gaze that so draws us to cinema. Josée (Elisabeth Wiener) meets her artist-lover’s gallerist, the chic but kinky Stanislas Hessler (Laurent Terzieff), whose hobby is photographing female nudes in S&M postures. Naturally, Josée succumbs to the temptation to pose, but finds she needs bonding not bondage. Enter the obsessive kinetic artist Gilbert (Bernard Fresson), and the triangulated trap is sprung. Like Peeping Tom, Woman in Chains uses the camera’s gaze as a substitute for our own voyeuristic impulse.Read More »

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