Bertrand Bonello

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With its bigger-name cast and audio-visual sparkle, “Saint Laurent” also seems the safer commercial bet for international distribs, effectively the “Coco Before Chanel” to its rival’s “Coco Chanel & Igor Stravinsky.” Sony Pictures Classics has already snatched it the film off the rack for the U.S., and should be feeling a little more confident than “Yves Saint Laurent” guardians the Weinstein Co. Still, Bonello’s sexier number must gamble on sustained audience interest in a chilly figure whose life — notwithstanding the drugs, desires and debauchery that go with the high-fashion terrain — wasn’t extraordinarily dramatic.Read More »

In a near future where artificial intelligence reigns supreme, human emotions have become a threat. To get rid of them, Gabrielle must purify her DNA by going back into her past lives. There, she reunites with Louis, her great love. But she’s overcome by fear, a premonition that catastrophe is on the way.Read More »

A group of young, multiracial radicals execute a series of terrorist attacks across Paris and then take shelter for the night in a shopping center while a massive manhunt is conducted outside.Read More »

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Spiritual disciplines span the spectrum from quiet personal self-reflection to physically militant offensives against the ego that tyrannizes us all. Writer/Director Bertrand Bonello’s latest film On War deals with the latter.

On War is a film about purging—the purging of self, of attachment to the world, and of attachment to assumptions about one’s self in the world. As the characters in the film suggest, it is only through this purging that a person may fully release into the immediacy of joy and pleasure. And it is joy and pleasure, things real and authentic, that our protagonist Bertrand (Mathieu Amalric) is searching for.Read More »

Bertrand Bonello’s daughter has just turned 18. But the moment this young adult officially begins to “spread her wings” coincides with a global health crisis. Locked indoors, she experiences life in a state of limbo.Read More »

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How does a filmmaker go from creating cutting-edge work and competing in Cannes to being labelled a failed erotic filmmaker? The debut documentary feature from Polish critic and academic Kuba Mikurda investigates the work of Walerian Borowczyk, a director of unparalleled creativity & sensitivity, revered in the 1970s for creations including Goto, Island of Love, The Beast, & Immoral Tales. The film interviews his closest collaborators, filmmakers, and leading intellectuals who put his work into perspective, including Bertrand Bonello, Neil Jordan, Patrice Leconte, Slavoj Žižek, Terry Gilliam and the late Andrzej Wajda.Read More »

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Bonello seized on the idea of making a cinematic tribute to Ingrid Caven when he first heard her sing at the Cité de la Musique in Paris, but the portrait he eventually made finds her exploring a more expansive range of performance styles and moods. A former member of R.W. Fassbinder’s cinematic troupe—the two were married for a brief stretch in the 1970s—and the ostensible subject of a fictional biography by Jean-Jacques Schuhl, Caven spends Bonello’s movie singing a rich repertoire of songs, some of them traditional ballads, others non-verbal, and still others verging on abstract performance art. Ingrid Caven: Music and Voice is a showcase for a truly sui generis musician—a sort of cabaret singer for the 21st century—and a respectful tribute to one artist from another.Read More »

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According to ancient mythology, Tiresia was both a man and a woman. Blinded by the rage of the goddess, the gods granted him higher vision. This version of the myth takes place in the suburbs of Paris. Tiresia is a Brazilian transexual of extreme beauty, earning her living as a prostitute, she shares an appartment illegally with her brother Terranova. With his morbid and poetic ideals, he falls madly in love with her, finding no other way to keep her for himself, he decides to kidnap her. Robbed of her daily fix of hormones, Tiresia finds herself slowly turning back into a man.Read More »

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An opera ballet that doesn’t exist. A ghost-like piece, played in Opera Bastille and danced at Opera Garnier, An almost mystical link between both scenes, A musician is testing sounds in Bastille’s pit, The choir are taking their place in the rehearsal studio, Both sides are fine tuning the work in progress of an opera ballet : SARAH WINCHESTER, her grief, her madness, her home and her ghosts.Read More »