Christine Buchegger

  • Ingmar Bergman – Aus dem Leben der Marionetten AKA From the Life of the Marionettes (1980) (HD)

    Ingmar Bergman1971-1980ArthouseGermanyTV
    Aus dem Leben der Marionetten (1980) (HD)
    Aus dem Leben der Marionetten (1980) (HD)

    Quote:
    Made during Bergman’s tax-related exile in Germany, the film continues the story of Katarina and Peter Egermann, the feuding, childless, professional couple who appear in one episode of “Scenes From A Marriage.” After Peter perpetrates a horrendous crime in its first scene, the rest of the film consists of a non-linear examination of his motivations, incorporating a police psychological investigation, scenes from the Egermanns’ married life, and dream sequences.Read More »

  • Ingmar Bergman – Aus dem Leben der Marionetten AKA From the Life of the Marionettes (1980)

    Ingmar Bergman1971-1980ArthouseDramaGermany
    Aus dem Leben der Marionetten (1980)
    Aus dem Leben der Marionetten (1980)

    Quote:
    Made during his self-imposed exile in Germany, Ingmar Bergman’s From the Life of the Marionettes offers a lacerating portrait of a destructive marriage and a complex psychological analysis of a murder. Businessman Peter nurses fantasies of killing his wife, Katarina, until a prostitute becomes his surrogate prey. In the aftermath of the crime, Peter and Katarina’s psychiatrist and others attempt to explain its roots. Jumping back and forth in time, this compelling film moves seamlessly between seduction and repulsion, and the German cast is superb.Read More »

  • Stanislav Barabas – Inferno (1973)

    1971-1980DramaStanislav BarabasSweden

    TV production of August Strindberg’s great novel ‘Inferno’ purportedly depicting his own mental disintegration.

    Quote:
    The narrator (ostensibly Strindberg, although his narrative variably coheres with and diverges from historical truth), spends most of the novel in Paris, isolated from his wife (Frida Uhl), children, and friends. He associates with a circle of Parisian artists and writers (including Paul Gauguin and Edvard Munch), but often fears they are ridiculing and persecuting him. In his isolation, Strindberg successfully attempts alchemical experiments, and has his work published in prominent journals. He fears, however, that his secrets will be stolen, and his persecution mania worsens, believing that his enemies are attacking him with ‘infernal machines.’ He also dabbles in the occult, at one point casting a black magic spell on his own distanced daughter.Read More »

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