

SYNOPSIS
In leaps of physical color and sound, Cornelia Geiser recites verses from two of Pierre Corneille’s Roman plays, Horace and Othon (“As for the school of dialectics, well Corneille is nevertheless the greatest…” said Straub), followed by a reading of Bertolt Brecht’s 1939 radio play The Trial of Lucullus, a powerful recitative on war-crimes in fourteen short pieces (never broadcast; later turned into an opera by Brecht and Paul Dessau in East Germany).Read More »