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More than just an abbreviated form of “La Belle Noiseuse”, Rivette re-cut his footage with some important differences in point of view – this one being more from Marianne’s point of view, shifting the emphasis from artist to model.Read More »
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Paris, mid-90s, summer. Louise has just left the clinic having woken up from a five-year-long coma, and finds she inherits a house from her aunt as well a family plot involving her father. Ninon is a petty thief who begins a job as a courier, but fears she has been caught stealing by Roland, a set decorator who works across the street. A friendship between Ninon and Louise forms through Roland. Meanwhile, Ida, a librarian, searches for her birth mother. Paris transforms such that life becomes a musical.Read More »
Second film in the Renoir documentary trilogy directed by Jacques Rivette, featuring a conversation between Jean Renoir and Michel Simon.
A quote from “Projections of Memory: Romanticism, Modernism, and the Aesthetics of Film” by Richard I. Suchenski:
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First part of an over four hour documentary for TV in which Rivette visited Renoir at his country place, lunched with him, and let him talk about his work, interspersed with extracts from some of his oeuvre.Read More »
Sébastien (Jean-Pierre Kalfon, Weekend) is staging an adaptation of Racine’s tragedy, Andromaque while a film crew captures their rehearsals on handheld 16mm. The production’s star and Sebastian’s wife, Claire (Bulle Ogier, Out 1), cannot take the pressure and removes herself. Life imitates art, creating a tragedy for the couple when Sébastien recasts the role with his ex. L’amour fou is a hypnotic study of tempestuous love, told with director Jacques Rivette’s signature reflexivity and containing striking examinations of performance, art, theatre and life. A classic of the French New Wave and one of Rivette’s most radical works, L’amour fou was unavailable for years, with the original elements tragically burned in a fire. Now meticulously restored, Radiance Films is proud to present this masterpiece from a new 4K restoration.Read More »
After her brother was killed by a notorious all-female pirate gang, Morag dedicates her life to bringing the murderers to justice. Soon, she has become an important member of the pirate gang and has begun acquiring the loyalty of key members. Eventually, she makes her move and challenges the leader, a demi-god (literally), known as “The Daughter of the Sun.” The story of Noroit is based on an early 17th-century tragedy by Cyril Tourneur, and, though it is only the third one filmed, the movie is the concluding episode in a four-part series by director Jacques Rivette.Read More »
Filmed in Parisian parks and on a terrace, LE DIVERTISSEMENT foreshadows the labyrinthine walks that would be a part of Rivette’s cinema, in which the characters look for, follow and find each other like in a romantic scavenger hunt.
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Rivette’s three shorts—Au quartre coins (“The Four Corners,” 1948), Le quadrille (1950), and Le divertissement (“The Diversion,” 1952)—were found in 2009 after the filmmaker and his wife, Véronique, discovered the 16 mm films when going through his materials. Describing them as amateur, made when the filmmaker was barely out of his teens, the trio have been dubbed “apprenticeship films.”(MUBI)Read More »
Intimations of conspiracy hover over a group of actors in this underrated but decidedly major work from New Wave master and former Cahiers du Cinema editor- in-chief Jacques Rivette. Four young women share a house on the outskirts of Paris and study acting under a demanding teacher (Bulle Ogier). Outside class, each is questioned by a mysterious investigator on the trail of a former roommate who may be involved in a criminal enterprise. Rivette’s characteristic preoccupation with the intersections between daily life and performativity creep into every corner of this wholly engrossing mystery, which eventually expands beyond the confines of the film itself. Shot by DP Caroline Champetier (HOLY MOTORS) in a glorious late-‘80s palette of deep reds, golden yellows, and dark teals, this playful revisiting of his debut PARIS BELONGS TO US launched the second phase of Rivette’s career.Read More »
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Camille has been away for three years and returns to Paris to perform a play by Pirandello directed by Ugo, her companion. She sets out to see Pierre, her former lover, again, while Ugo sets out on the trail of an unknown manuscript by Goldoni.Read More »