Jean-Luc Godard

During a war in an imaginary country, unscrupulous soldiers recruit poor farmers with promises of an easy and happy life. Two of these farmers write to their wives of their exploits.Read More »

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In 1986, the Cinémathèque française celebrated its fiftieth anniversary. Throughout the year, filmmakers and personalities from the world of cinema (from Bette Davis to Wim Wenders, from Elia Kazan to Nagisa Ōshima, from Claude Chabrol to Werner Schroeter…) took turns in the legendary hall of the Palais de Chaillot to show and talk about their films.
In 2023, twelve of these filmed interviews were rediscovered in the form of rushes on Betacam cassettes. Historic and never-before-seen, they will be presented on HENRI over the course of the 2023-2024 season.Read More »

Comment ça va is one of the most dense and abstracted of the several essayistic videos Jean-Luc Godard made in collaboration with his partner Anne-Marie Miéville during the latter half of the 1970s. As with much of Godard and Miéville’s work from around this time, this video concerns itself primarily with meta questions: questions about how to produce a video or a film, how to show certain things that they’re interested in showing, how to communicate their ideas. They explore these subjects through the loosely structured story of an editor at a Communist newspaper (Michel Marot), who collaborates with the radical Odette (played by Miéville herself, though her face never appears) in order to make an educational video about the production of a newspaper.Read More »

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Godard undertook a collaborative project with the U.S. filmmakers Richard Leacock and D.A. Pennebaker in October of 1968. Provisionally entitled One A.M., or “One American Movie”, the project was to be shot in the United States, but never reached completion under Godard’s direction. Pennebaker and Leacock continued with the project under the title One P.M. or ‘One Parallel Movie,’ and did not release the film until 1972.Read More »

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Jean-Luc Godard’s densely packed rumination on the need to create order and beauty in a world ruled by chaos is divided into four distinct but tangentially related stories, including the attempts by a young group of idealists to stage a play in war-torn Sarajevo and an elderly director’s efforts to complete his film.Read More »

Synopsis: Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d’Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.Read More »

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Godard’s documentation of late 1960s Western counter-culture, examining the Black Panthers, referring to works by LeRoi Jones and Eldridge Cleaver. Other notable subjects are the role of news media, the mediated image, a growing technocratic society, women’s liberation, the May revolt in France and the power of language. Cutting between three major scenes, including the Rolling Stones in the studio, the film is visually intercut with Eve Democracy (Wiazemsky) using graffiti which amalgamates organisations, corporations and ideologies.Read More »

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Petty thug Michel panics and impulsively kills a policeman while driving a stolen car. On the lam, he turns to his aspiring journalist girlfriend Patricia, hiding out in her Paris apartment. When Patricia learns that Michel is being investigated for murder, she begins to question her loyalties.Read More »

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Someone we hear but don’t see talks of a project entitled Eloge de l’amour, which deals with the four key moments of love: the meeting, the physical passion, the quarrels and separation, the reconciliation. These moments are seen through three couples: young, adult and elderly. Is the project to be a play, a film, or even an opera? A sort of servant or assistant always accompanies the author of the project.

Adults pose a real problem. Unlike old people or young people, an adult is hard to define without telling a story. The author of the project finally meets an extraordinary young woman. In fact, they had already met three years earlier when Edgar had by chance been present during a discussion between some Americans and the young woman’s grandparents. When he comes to tell the young woman that his project is on, Edgar learns that she has died.Read More »