“Had The Death of Stalin been made in the 1950s, it might have been called Carry on Comrade—and yet it suggests the venerable mantra, “think Yiddish, act” (or “dress” or “look”) “British.” The Death of Stalin is not as funny or as transgressive as The Producers but it has some of the same flavor. The spirit is less that of a Punch and Judy show than a Purimshpiel—particularly those Purim plays that, performed for and by Holocaust survivors in the immediate aftermath of WWII, conflated Haman with Hitler.Read More »