Ken Loach

Two Latina sisters work as cleaners in a downtown office building, and fight for the right to unionize.Read More »

The story of Stevie, a construction worker, and his girlfriend, an unemployed pop singer, serves to show the living conditions of the British poor class.Read More »

Synopsis:
Maya is a quick-witted young woman who comes over the Mexican border without papers and makes her way to the LA home of her older sister Rosa. Rosa gets Maya a job as a janitor: a non-union janitorial service has the contract, the foul-mouthed supervisor can fire workers on a whim, and the service-workers’ union has assigned organizer Sam Shapiro to bring its “justice for janitors” campaign to the building. Sam finds Maya a willing listener, she’s also attracted to him. Rosa resists, she has an ailing husband to consider. The workers try for public support; management intimidates workers to divide and conquer. Rosa and Maya as well as workers and management may be set to collide. (IMDb)Read More »

The story of a private security contractor in Iraq who rejected the official explanation of his friend’s death and sets out to discover the truth.Read More »

Quote:
A simple tale of a year in the life of a Gamekeeper. From the troubles involved in rearing the pheasants and dealing with predators (poachers and foxes). The gamekeeper shows us all the good things about living so close to nature. The end of his year comes with the organised shoot. He has the sudden pressure of dealing with a lot of people, (beaters, the guns and “the master”) and ensuring that everyone has a good day and stays safe.Read More »

Quote:
When an American human rights lawyer is assassinated in Belfast, it remains for the man’s girlfriend, as well as a tough, no nonsense, police detective to find the truth… which they soon discover to be contained in an audio tape which the man had with him, exposing political manipulations at the highest levels of government. But such underlying agendas require careful considerations to avoid worse things than murder.Read More »

From: artificial-eye.com
Fergus (Mark Womack) returns to his native Liverpool for the funeral of his childhood friend Frankie (John Bishop), a fellow private security contractor who has been killed on ‘Route Irish’, the deadly and now infamous stretch of road between Baghdad airport and the Green Zone.
Refusing to accept the official account of his best friend’s death, Fergus launches his own in-vestigation, fuelled by the discovery of a cell phone on which Frankie had recorded the shooting of an innocent Iraqi family just days before his own death.
As his investigation ramps up – via frequent skype conversations with former security colleagues in Iraq and his interrogation of security firm officials in the UK – Fergus soon draws the heat of those he is investigating and a once dirty foreign war is transferred to the streets of Liverpool and pursued on home turf.Read More »

Quote:
My Name is Joe is a slice of life so raw that you can see the blood dripping off it and in real life it mixes humour, tragedy and violence in equal measure. Joe (Peter Mullan) is a recovering alcoholic and has done a few things in his past which he’s rather forget. Like most people he knows, he’s out of work but he keeps sane by coaching the self-styled worst football team in Glasgow. When one of Joe’s players, Liam (David McKay), gets involved with some local gangsters a chain of events is set in motion which not only threatens the lives of those concerned but also comes between Joe’s budding love affair with social worker Sarah (Louise Goodall).Read More »

Quote:
Ken Loach’s Jimmy’s Hall, the story of Irish communist leader James Gralton, was rumored to be the socialist-leaning filmmaker’s swan song. But the following year, Loach watched as the Conservative Party took power and the lifelong Labour supporter went back to work. It should surprise no one, then, that the Palm d’Or-winning I, Daniel Blake, which heralds Loach’s return from the briefest of retirements, is a staunch antagonism of bureaucratic institutions that prevent blue-collar Brits from earning the livable wages they deserve. But it should also come as not much of a surprise, sadly, that the filmmaker’s latest is pockmarked by a lot of the same conservative dramatic conventions and broad political emotional gestures that have marred much of his work over the years, but particularly his recent output.Read More »