Lara Flynn Boyle

A cute, mysterious woman moves in across from Gene, a cop/novelist. He’s invited over in the evening, but finds her murdered and calls the cops. Next day, it’s as if it never happened. Is he going crazy?Read More »

Set in the city of Montreal, Alan Rudolph’s romantic comedy-drama “AFTERGLOW” paints a wryly comic portrait of two modern marriages drifting toward the rocks.

Lucky (Nick Nolte) is a contractor whose business owes its success in equal measure to his skill at repair work and to his amorous attentions to the lonely women who hire him. His marriage, however, has fallen on hard times– his wife Phyllis (Julie Christie), began to shut Lucky out of her heart years ago when a bitter argument violently disrupted their home. A former B-movie actress, Phyllis now passes her time in a nostalgic haze, watching her old movies and remembering happier days. She turns a blind eye to Lucky’s infidelities, but resists his attempts to bring romance back into their life together. “The hardest part is finding out too late that none of it lasts,” she tells him, resigning herself to her disillusionment.Read More »

After a dip into the mainstream with Mortal Thoughts, the wildest card in American cinema is back on his own bizarre terrain. This modern urban fairytale is a beautifully ambivalent re-telling of The Prince and the Pauper. Modine is the separated-at-birth twins (both of them), one a hood whose dream life – moppet children, a cooing fashion-plate wife (Singer) – is coupled with violent megalomania, the other a cringing wimp who can’t bring himself to date his best friend’s anguished, poetry-reading sister (Boyle). The whole is held together with a plot about an aspiring writer (Ferrell) on the track of her first real-life drama, and by an atmospheric soundtrack (Terje Rydal, Ali Farka Toure) that accompanies the characters’ hypnotically crazed manoeuvres. M Emmet Walsh steals the show as a garage boss in a drolly choreographed homage to Jacques Demy. Delirious stuff.Read More »