Louis Koo

In the 1980s, the only place in Hong Kong where British law did not apply was the dreaded Kowloon Walled City, an enclave given over to gangs and trafficking of all kinds.
Fleeing the powerful boss of the Triads Mr. Big, the illegal migrant Chan Lok-kwun takes refuge in Kowloon City where he is taken under the protection of Cyclone, leader of the Citadel. With the other outcasts of his clan, they will have to face the invasion of Mr. Big’s gang and protect the refuge that the fortified city has become for them.Read More »

One of the most personal films by the prolific Hong Kong auteur Johnnie To is a thrilling love letter to both the cinema of Akira Kurosawa and the art and philosophy of judo. Amid the neon-drenched nightclubs and gambling dens of Hong Kong’s nocturnal underworld, the fates of three wandering souls—a former judo champion now barely scraping by as an alcoholic bar owner (Louis Koo), a young fighter (Aaron Kwok) intent on challenging him, and a singer (Cherrie Ying) chasing dreams of stardom—collide in an operatic explosion of human pain, ambition, perseverance, and redemption. Paying offbeat homage to Kurosawa’s debut feature, Sanshiro Sugata, To scrambles wild comedy, flights of lyrical surrealism, and rousing martial-arts action into what is ultimately a disarmingly touching ode to the healing power of friendship.Read More »

Hong Kong action auteur Johnnie To indulges his silly side with this hilariously inventive sequel to his hit romantic comedy, two former lovers find themselves irresistibly drawn back together — despite the fact that each is engaged to someone else.

Nowadays the stellar universe of Chinese popular film is filled with romantic comedies full of sap, déjà vu, and worn-out clichés. But the proliferation of these poorly executed star vehicles doesn’t mean that the genre is tired out. In the hands of a master like Johnnie To, the rom-com has plenty of life yet. In Don’t Go Breaking My Heart 2, To’s sequel to his 2011 hit, he combines cinematic wit, brilliant dialogue, and inventive ideas, taking the genre into fresh new territory.Read More »

In a rare, but much welcome change of pace, Johnnie To came off the back of 2009’s disappointing multinational crime thriller, VENGEANCE, with two relatively light and fluffy romances. DON’T GO BREAKING MY HEART successfully navigated a complex and hard-to-predict love triangle through the tumultuous financial tsunami that hit Hong Kong harder than most. While the next film to be released in cinemas bearing To’s directorial moniker was LIFE WITHOUT PRINCIPLE, a similarly finance-obsessed work, it was a project To had in fact been tinkering with for a number of years already. Instead, once DON’T GO BREAKING… had been completed, the Milkyway Image crew headed north into the mountains of Yunnan, where Louis Koo and Sammi Cheng would star in snowbound love story, ROMANCING IN THIN AIR.Read More »

A self-styled “accident choreographer,” the Brain is a professional hit man who kills his victims by trapping them in well crafted “accidents” that look like unfortunate mishaps but are in fact percectly staged acts of crime. After one mission accidentally goes wrong, causing the life of one of his men, the Brain is convinced that this accident has been choreographed, someone is out there to terminate him and his team. He becomes increasingly paranoid when he discovers that a mysterious insurance agent Fong is somewhat related to one of the “accidents” he has staged, the Brain becomes obssessed that this man must be the mastermind behind a conspiracy to take him out. To regain his sanity and to save his life, he must strive to kill Fong before he makes his next move.Read More »

Synopsis:
The time has come, as it does every two years, for the senior members of Hong Kong’s oldest Triad,
The Wo Shing Society, to elect a new chairman. Fierce rivalries emerge between the two eligible
candidates. Lok, respected by the Uncles is the favourite to win. But his rival Big D will stop at
nothing to change this, including going against hundreds of years of Triad tradition and influencing
the vote with money and violence.Read More »