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ASSUNTINA OF AMÉRIKAS: an opera, a musical one, a comedy, a colored gesture of creative freedom. Assuntina is sought by the camera not like a woman-history, bearer certain political ideas. Besides, fidelity inexists the only one woman’s certain image. And instead of the true woman (Sara, of “Terra em Transe”), we have an object bitter, superficial, closed in the search of her identity.Read More »