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The Locarno Film Festival is renowned for showing interesting, unconventional films, favoring fresh, undiscovered talent over established names. The two do occasionally mix: one example is Anthony Hopkins’ directorial debut Slipstream, a stream-of-consciousness satire that competed at the 2007 edition. It didn’t win anything, though: the prestigious Golden Leopard was picked up by Masahiro Kobayashi, who stunned critics and audiences with The Rebirth, a minimalistic character study of rare poignancy.Read More »