Marie Windsor

  • Richard Fleischer – The Narrow Margin (1952)

    1951-1960250 Quintessential Film NoirsCrimeFilm NoirRichard FleischerUSA
    The Narrow Margin (1952)
    The Narrow Margin (1952)

    A Fortune If They Seal Her Lips!…A Bullet If They Fail!

    (Taken from IMDB) Plot-When a mobsters wife decides to testify against his evil deeds she goes undercover to avoid being killed. Now that he’s coming to trial she has to be escorted across country via train in order to testify. Cop Walter Brown and his partner are assigned the task, but the mob are on their trail.

    A great low budget film noir with one of the greats, Charles McGraw.Read More »

  • Lesley Selander – Dakota Lil (1950)

    1941-1950Lesley SelanderUSAWestern

    Plot Synopsis by Hal Erickson
    Although Marie Windsor plays the title role in Dakota Lil, she is shunted away to third billing, right after male leads George Montgomery and Rod Cameron. Montgomery is cast as a secret service agent Tom Horn, sent West to round up a gang of counterfeiters. He starts by gaining the confidence of dance-hall girl Lil (Windsor), one of the ringleaders. She, in turn, leads Horn to the brains of the operation, Harve Logan(Cameron).Read More »

  • Franklin Adreon – No Man’s Woman (1955)

    1951-1960CrimeFilm NoirFranklin AdreonUSA

    Quote:
    Carolyn Ellenson double-crosses five people who cross her path and is murdered by one of them. After marrying Harlow Grant for his money, she leaves him but carries on her infidelities so cleverly he can not divorce her. When Grant falls in love with Louise Nelson, art-studio employee, Carolyn demands a prohibitive cash settlement and large alimony payments. Then tiring of her art-critic lover, Wayne Vincent, who has jeopardized his own career touting her art-studio business, Carolyn leaves him to pursue Dick Sawyer and break-up his engagement to Betty Allen. All of these five people have motives for murdering Carolyn and the police choose Grant as the logical suspect. But another person comes forward to confess to the killing for personal reasons, but he didn’t do it. The real killer feels secure but must remove the murder-weapon from the studio before the police discover it.Read More »

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