Martin Scorsese

Synopsis:
The life of boxer Jake LaMotta, whose violence and temper that led him to the top in the ring destroyed his life outside of it.Read More »

Features rare archival material from the personal collections of Powell, Pressburger and Scorsese.Read More »

A small-time hood aspires to work his way up the ranks of a local mob.Read More »

Michael Powell and Emeric Pressburger formed the greatest creative partnership in the history of British Cinema – The Archers.
Their films were often controversial: Churchill tried to suppress the release of The Life and Death of Colonel Blimp. Later, The Red Shoes and The Tales of Hoffman startled and enchanted cinema audiences with their use of colour, form and music. In the last ten years the magic, poetry and passion of their work has been acknowledged around the world and they are firmly in the pantheon of film masters.Read More »

Gina Befellafante New York Times
To many Americans — millions, really — the name Fran Lebowitz doesn’t mean much. But in certain precincts, vital to the cultural functioning of both coasts, she is famously a friend, a crank, a climber, a cautionary tale, an iconoclast and a mouth. In “Public Speaking,” Martin Scorsese’s enormously enjoyable and perceptive documentary about her, Ms. Lebowitz’s endearing narcissism is a study in the notion that arrogance and insecurity are largely two sides of the same cocktail coaster.Read More »

Plot:
Rupert Pupkin (De Niro), a stage-door autograph hound, is an aspiring stand-up comic with obsessive ambition far in excess of any actual talent. A chance meeting with Jerry Langford (Lewis), a famous comedian and talk show host, leads Rupert to believe that his “big break” has finally come. His attempts to get a place on the show are continually rebuffed by Langford’s staff and, finally, by Langford himself. Along the way, Rupert indulges in elaborate and obsessive fantasies where he and Langford are colleagues and friends.Read More »

This tense urban drama stars Nicolas Cage as Frank Pierce, a paramedic on the brink of physical and emotional collapse. Frank has worked for years in one of New York’s most brutal neighborhoods, and the pressure of his job has taken its toll; plagued with self-doubt, he is haunted by the spirits of the people he couldn’t save, and while he desperately wants to quit his job, outside forces won’t let him walk away. Bringing Out the Dead brought director Martin Scorsese back to the streets of contemporary New York, one of his favorite locations, after three films set elsewhere: Kundun, Casino, and The Age of Innocence. The film also reunited Scorsese with screenwriter Paul Schrader, who scripted Taxi Driver, Raging Bull, and The Last Temptation of Christ. The supporting cast includes Patricia Arquette as the daughter of a heart attack victim that Frank has fallen in love with, and John Goodman and Ving Rhames as two of Frank’s fellow drivers. — Mark DemingRead More »

A biopic depicting the early years of legendary director and aviator Howard Hughes’ career, from the late 1920s to the mid-1940s.Read More »

IMDB:
Portrait of an artist as a young man. Roughly chronological, using archival footage intercut with recent interviews, a story takes shape of Bob Dylan’s (b. 1941) coming of age from 1961 to 1966 as a singer, songwriter, performer, and star. He takes from others: singing styles, chord changes, and rare records. He keeps moving: on stage, around New York City and on tour, from Suze Rotolo to Joan Baez and on, from songs of topical witness to songs of raucous independence, from folk to rock. He drops the past. He refuses, usually with humor and charm, to be simplified, classified, categorized, or finalized: always becoming, we see a shapeshifter on a journey with no direction home.Read More »